Sól Ey and Ryosuke Kiyasu both confronted the boundaries of sound with uncompromising dedication, demonstrating that sound art is not just about playing – but about transformation.
Hvad sker der, når samtidsmusik og videospil smelter sammen, og publikum selv er med til at forme værkets forløb?
En verden så fjern fra Roskildes inferno, at man næppe kan se, hvor enderne mødes. Men det gør de, den nat på Roskilde.
A world so distant from the inferno of Roskilde that one can hardly see where the ends meet. But they do, that night at Roskilde.
It is hard not to feel almost physically exhilarated by the album’s intense contrasts between presence and destruction.
Det er svært ikke at blive nærmest fysisk begejstret over albummets intense kontraster mellem nærvær og smadder.
On half of the tracks Hammerstrøm demonstrates that he is capable of creating truly beautiful music.
De har en bivuak, et par kirker og en kulturfestival – i nordnorske Kirkenes er folk beredte, hvis det værste sker.
They have a bivouac, a couple of churches and a cultural festival – in northern Norway's Kirkenes, people are prepared if the worst happens.
This is an album as happy to shout as it is to slither.
Dette er et album, der lige så gerne råber, som det snor sig.
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