Emergent Music
»A poetic and precise sonic laboratory, where music emerges in hesitation and grows like a living creature.«
»A poetic and precise sonic laboratory, where music emerges in hesitation and grows like a living creature.«
When there are two grand pianos for a concert, one of them is usually prepared. Rosenbaum had three (!) without using a single screw, coin, or ping-pong ball.
Smag På Dig Selv convincingly illustrates the age-old punk dictum that you can be angry and still have fun at the same time.
»I love being part of the ritual that heals our forgotten connection to nature, which is the very foundation of our lives.«
»When the gloom returned with renewed force, it was Kjærgaard who, with a roaring guitar, sprawled across the emotional abyss. It was beautiful and brutal.«
As a listener, there is nothing to do but surrender to Amalie Dahl and the group’s convincing display of strength.
»Enchanting. One left KoncertKirken a little taller, happier, and more playful.«
»Cohesive, yet lacking challenges for the listener – such is the impression left by Josefine Opsahl’s new work.«
The surprises keep lining up in your ears with Xenia Xamanek’s new hybrid work on repeat.
Sól Ey and Ryosuke Kiyasu both confronted the boundaries of sound with uncompromising dedication, demonstrating that sound art is not just about playing – but about transformation.
A world so distant from the inferno of Roskilde that one can hardly see where the ends meet. But they do, that night at Roskilde.
It is hard not to feel almost physically exhilarated by the album’s intense contrasts between presence and destruction.