The im/mediate noise
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
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This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.
Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.
Holger Schulze’s keynote presentation asking for individual idiosyncrasies as parts of research methodologies.
A germinal manifesto for the audio paper.
This article argues, that the open artwork no longer functions as a mere provocation. Instead it has become a naturalized form of art.
Juliana Hodkinson writes about fluid creative work processes that oscilliate between musical notation and digital audio.