Treen In Free Fall – And In Common Flow
On their second release »Kaikō«, Treen show how free improvisation can balance between independence and shared direction – carried by trust, gravity, and an organic flow.
On their second release »Kaikō«, Treen show how free improvisation can balance between independence and shared direction – carried by trust, gravity, and an organic flow.
»George Benjamin’s modern classic unfolds on the Old Stage as both a brutal love story and a musical paradox, where violent noise meets transparent silence.«
The music is brutal, relentless. But could it have been more: more in colour, beyond the duel?
»Sofie Birch and Antonina Nowacka create a sensuous acoustic space where the dream of another time is allowed to emerge.«
The idea is strong, simple, and well executed. Like the sonic version of a cartoon mirage shimmering falsely in the sharp Californian sunlight.
Like a warped, crumpled tape, melodies bubble to the surface, and the offbeat rhythms repeat with the halting tempo of a scratched LP.
In the end, it sounds like a march that has forgotten who it was written for.
Three artists shattered the table’s constraints and gave technology a body.
»A poetic and precise sonic laboratory, where music emerges in hesitation and grows like a living creature.«
When there are two grand pianos for a concert, one of them is usually prepared. Rosenbaum had three (!) without using a single screw, coin, or ping-pong ball.
Smag På Dig Selv convincingly illustrates the age-old punk dictum that you can be angry and still have fun at the same time.
»I love being part of the ritual that heals our forgotten connection to nature, which is the very foundation of our lives.«