Pak Choi and Percussion at Table 12

At CC Taste, Søren Kjærgaard, Kresten Osgood and Christian Lillinger turned the restaurant into a stage for free improvisation, everyday noise and anti-furniture music.

Pak choi og percussion ved bord 12

På CC Taste gjorde Søren Kjærgaard, Kresten Osgood og Christian Lillinger restauranten til en scene for fri improvisation, hverdagsstøj og anti-møbelmusik.

Out of Utopias and Down to Earth

From Old Testament wisdom and hippie dreams of community to erotic nightclub atmospheres and dark, rumbling techno. Roskilde Festival 2026 is a wild ride through eras, genres and mental geographies – and a good place to practise carrying dreams carefully through the extreme conditions of our time.

Ud af utopierne og ned på jorden

Fra gammeltestamentlig visdom og hippiedrømme om fællesskab til erotisk natklubsstemning og mørkt rumlende techno. Roskilde Festival anno 2026 er et vildt ridt gennem tider, genrer og mentale geografier – og et godt sted at øve sig i at bære drømmene varsomt gennem vor tids ekstreme tilstande.

Invisible citizens, sonic refugees

Post-2020 musicalities in Belarus and in exile

Hygge acoustics

(Dis)comfortable politics

Singing citizenship?

Trust and dissent in Denmark’s lockdown singing

An economics of audibility

Pricing urban ear-time and sonic citizenship over 24 hours

The voice of the state

AI-generated text-to-speech communication in public e-governance

Listening as civic technology

Resonant citizenship and the curatorial tactics of Momentum 13

Sound of democracy

Towards the democratisation of standards for soundscapes​

You are a shining diamond inside