See Venice and Throw Up
Marie Koldkjær Højlund uses art, disgust, and everyday ruptures as resistance to habits, crises, and our urge to understand everything.
Marie Koldkjær Højlund uses art, disgust, and everyday ruptures as resistance to habits, crises, and our urge to understand everything.
Marie Koldkjær Højlund bruger kunst, væmmelse og hverdagsbrud som modstand mod vaner, kriser og vores trang til at forstå alting.
Fire skandinaviske musikere og en canadisk banjoamatør/karatelærer krydser Sydstaterne for at finde ud af, om de kan blive et band – et sted mellem Schubert, country og tvivl.
Four Scandinavian musicians and a Canadian banjo amateur/karate instructor cross the American South to find out whether they can become a band – somewhere between Schubert, country, and doubt.
The Taiwanese-Danish percussionist Ying-Hsueh Chen explores the world’s smallest sounds – from red deer bones to roof tiles – in her pursuit of a music that is both ancient, courageous, and radically simple.
Women opera composers of the past have returned for good. But how do we break the closed circuit of opera history?
En dialog om lytning, tab og resonans på tværs af Polen, Tyskland, Storbritannien og Danmark.
A dialogue on listening, loss and resonance across Poland, Germany, UK and Denmark.
Det er blevet en god decembertradition, at Koncertkirken lægger hus til nysgerrige udforskninger af orglets natur, når Organ Sound Art Festival rykker ind. I år kunne festivalen holde 10 års-jubilæum, og fascinationen af orglets mange paradokser er intakt.
It has become a cherished December tradition that Koncertkirken opens its doors to curious explorations of the nature of the organ when the Organ Sound Art Festival moves in. This year the festival could celebrate its 10th anniversary, and the fascination with the organ’s many paradoxes remains intact.
»Where to From« er et stærkt stemningsmættet værk, der bevæger sig ubesværet mellem kammermusik og neoklassicisme.
Fra cyborg-slægtskaber og alkymistisk forundring til maskulin skrøbelighed og antropocæn ekstase – MINU viste, at kunsten stadig rummer sårbarhed, vildskab og mærkelig skønhed.