Kvæstet svane i den oversvømmede verden

»Danserne i ‘Vi fortsætter…’ bevæger sig mellem tang, droner og subtile beats og undersøger, hvordan mennesket fortsætter – selv når naturen gør oprør.«

Af Mira Siegel

kritik18.09.2025

Når mystikken går i opløsning

Årets Rued Langgaard Festival ville åbne porten til dansk mysticisme, men forsvandt til tider selv i et slør af fyld og fiduskunst – men enkelte koncerter stod stærkt.

Af Jeppe Rönnow

18.09.2025

Sounding migrations

Deep listening and the acoustic phenology of whale song

Af Alex South

18.09.2025

Real-time norms

Grooves, drones, and sense-making in experimental improvised music

Af Christopher A. Williams, Joshua Bergamin

18.09.2025

Sonic animism?

»Deep« listening into field recordings and scientific audio collections

Af Kirsten Reese

18.09.2025

Alarming calls and whispering winds

On game-calling instruments, mimicry and intersubjectivity

Af Nele Möller

18.09.2025

Ocean sense

Listening, technology and the sonic researcher

Af Mark Peter Wright, Denise Risch

18.09.2025

Glacial withness

Listening at the edge of planetary boundaries

Af Angela Snæfellsjökuls Rawlings, Santiago Rueda-García, Konstantine Vlasis, Daniela Amado, Adam Świtała, Rike Scheffler, Linnéa Ida-Maria Falck

18.09.2025

Listening for mermaids

The otherworldly life of Lewisham's Rivers

Af Louise Rondel, Emma Jackson, Konstantinos Damianakis

18.09.2025

Listening with earth

Deep listening, vibrational ecologies, and sonic stories of the more-than-human

Af Diana Chester, Damien Ricketson

18.09.2025

Listening in slug time

Listening slowly with bodies, critters, and the temporalities of the garden

Af Cathy Lane, Maya Lane

18.09.2025

Sounds by water and trees

Exploring place through mediated listening

Af Anders Hultqvist, Stefan Östersjö, Jan Berg, Robert Ek

18.09.2025

Infrasound and the planetary imaginary

Making the changing atmosphere audible through infrasonic listening

Af Brian House

18.09.2025

How ocean dreams

Sonic transmissions, deep-sea ecologies, and pluriversal listening

Af Konstantinos Damianakis, Jol Thoms

18.09.2025

Ambient tremology

Vibratory linkages in the Danube Delta

Af Kosmas Phan Ðinh, Mae Lubetkin, Michal Mitro

18.09.2025

Whose voice is your voice?

Control, identity and metahuman sounds in AI audio compression codes

Af Alberto Ricca

18.09.2025

Algorithmic mythologies

Failure as a cultural tool

Af Debashis Sinha

18.09.2025

What do puppets hear?

The uncanny other world of the imagined consciousness of puppets

Af Matt Smith, Paul J. Rogers

PEER audio paper18.09.2025

Love unto death

The multispecies aesthetics of birdsong and bird extinction in Indonesia

Af Nils Bubandt, Sanne Krogh Groth

18.09.2025

Being-at-work in the field

Rethinking field recording through energy ethics and actualisation

Af Julian Weaver

18.09.2025

Embracing unnaturalness

Computer voices & trans sound studies

Af Paulus van Horne

kortkritik16.09.2025

Treen i frit fald – og fælles strøm

På deres anden udgivelse »Kaikō« viser Treen, hvordan fri improvisation kan balancere mellem uafhængighed og fælles retning – båret af tillid, tyngde og et organisk flow.

Af Kristoffer Møllegaard

kortkritik15.09.2025

I en varm seng af mørke

På Alice viste Gintė Preisaite og Drew Mcdowall, hvordan elektronisk musik kan være både urovækkende og omsluttende.

Af Martin Funder

playliste12.09.2025

My name is Nev Lilit – would you like to see my playlist?

Music is so many things, and arises in so many different forms every day. Music is also an art form, which, like all art, needs to be constantly renewed and deepened in order to be relevant.

Af Nina Baun