PEER article
Diagram for invisibility
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.
PEER article
Turntable materialities
This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.
PEER article
Tears, fears and flashes
Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.
PEER article
The im/mediate noise
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
PEER article
A temple of sonic haecceities
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
PEER article
Beyond matter: object-disoriented sound art
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
PEER article
Idiosyncrasy as Method
Holger Schulze’s keynote presentation asking for individual idiosyncrasies as parts of research methodologies.
PEER article
Audio Papers – a manifesto
A germinal manifesto for the audio paper.
PEER article
Music, sound art and context in a post-Cagean era
This article argues, that the open artwork no longer functions as a mere provocation. Instead it has become a naturalized form of art.
PEER article
Sonic Writing
Juliana Hodkinson writes about fluid creative work processes that oscilliate between musical notation and digital audio.