For and Against the End of the World
Vanessa Amara got stuck in therapeutic deep house, while Soli City arrived at Beboerhuset with an overflow of chopped-up hyperpop aesthetics and melancholic spoken-word
Vanessa Amara got stuck in therapeutic deep house, while Soli City arrived at Beboerhuset with an overflow of chopped-up hyperpop aesthetics and melancholic spoken-word
Vanessa Amara sad fast i terapeutisk deephouse, mens Soli City kom til Beboerhuset med en overflod af opklippet hyperpopæstetik og melankolsk spoken word
One wishes Squarepusher had either ventured further into the orchestral realm or trusted more in what he actually excels at, giving the electronics freer rein. Preferably both
Man savner, at Squarepusher enten havde kastet sig dybere ind i det orkestrale eller stolet mere på det, han faktisk mestrer, og givet elektronikken friere spil. Helst begge dele
MaerzMusik in Berlin opened with 50 pianos – and bold experiments that didn't always land.
MaerzMusik i Berlin åbnede med 50 klaverer – og modige eksperimenter, der ikke altid landede.
Laurie Anderson and Sexmob fused slideshow, music, and political reflection in a dry, playful, and surprisingly hopeful concert at DR Koncerthuset.
Laurie Anderson og Sexmob forenede slideshow, musik og politisk refleksion i en tør, legende og overraskende håbefuld koncert i DR Koncerthuset.
»Music for Intersecting Planes« rummer noget langt mere porøst og åbent end Malone og Bordreuils tidligere værker
CTM har længe været pejlemærke for den elektroniske samtidsmusik. Men i en stadig mere fragmenteret scene melder spørgsmålet sig: Viser festivalen stadig vej?
»Music for Intersecting Planes« holds something far more porous and open than Malone and Bordreuil’s earlier works
For a long time, CTM has served as a beacon for contemporary electronic music. But in an increasingly fragmented scene, the question arises: does the festival still show the way?