Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’.

On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.

Reflecting the practice of the medical technique for listening with a stethoscope.

How to structure a composition in real-time.

Creating the imaginary city through electronic and electroacoustic music in word and sound.

A site-specific day-long installation/performance in the Gothenburg harbour.