kritik
Og til slut en hoppeborg
Michael Rebhahn anmelder Nordiske Musikdage 2016, der rummede næsten alt.
kritik
Suså nummer 24
Sune Anderberg anmelder den 24. udgave af Næstveds Suså Festival for ny musik.
kritik
Beyond the downward droops – Bent Sørensen in Trondheim
Bent Sørensen was the resident composer at Trondheim Chamber Music Festival 2016. Andrew Mellor writes from Norway.
interview
2006-16: Is it time to downsize?
Line Tjørnhøj and Allan Gravgaard Madsen of the AUT board tell Andreo Michaelo Mielczarek about their views on the future of the association after a time of large-scale projects.
artikel
1996-2006: Ready for the future
Digitalization was influential on AUT coming into the new millennium. Hjarne Fessel on a paradoxical atmosphere of openness and seclusion.
artikel
1986-96: Revitalised independence
AUT was trying to find its own identity compared to NUMUS and the conservatory. Hjarne Fessel remembers the period as a time with a strong faith in the future.
artikel
1966-76: When Aarhus became the new music metropolis of Denmark
Erling Kullberg on the first ten years of AUT, a time when the Danish scene for new music was noticeably decentralized – not least due to some assiduous musicians.
interview
2006-16: Er det tid til at downsize?
Line Tjørnhøj og Allan Gravgaard Madsen fra AUT's bestyrelse fortæller om deres syn på foreningens fremtid efter storstilede projekter.
artikel
1996-2006: På hat med i morgen
Digitaliseringen prægede AUT ved indgangen til det nye årtusind. Hjarne Fessel beretter om en paradoksal stemning af åbenhed og eksklusivitet.
artikel
1986-96: Nyvitaliseret selvstændighed
AUT forsøgte at finde sin egen identitet i forhold til NUMUS og konservatoriet. Hjarne Fessel husker tiåret som fuldt af tro på fremtiden.