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Operaen THE END byder på 3D animation, surround sound, elektronisk glitch og syntetiske stemmer i en kompromisløs virtuel forestilling med det japanske popikon, Hatsune Miku, i hovedrollen. Stina Hasse så opførelsen under Aarhus Festuge, og snakkede med komponisten bag, Keiichiro Shibuya.
Christian Møller Blæhr har besøgt Deep∞Minimalism festivalen i London, hvorfra han rapporterer og præsenterer et væld af interessante komponister: Éliane Radigue, Pauline Oliveros, Daphne Oram, Laurie Spiegel og flere andre.
An audio paper combining soundscapes from Norwegian mountains with a Danish urban, post-industrial waterfront.
An exploration of new forms of labour facilitated by new and old infrastructure, expanding notions of place and work itself.
An audio paper based upon Andreas Führer's soundwalk The Map is Not The Territory D’Or.
A speculative audio paper about the past of 2055 assessing site-specific found objects coming from a near-future.
The radio studio is acoustically designed to be inaudible, but is yet ever-present as a prerequisite for voices and situations.
A discussion of Werder’s 2005 (1) in relation to Werder’s own oeuvre and to the work of John Cage’s.
An audio paper that explores songs as temporal and affective phenomena.
An engagement with the sonic landscape by recording and listening in movement.
Holger Schulze’s keynote presentation asking for individual idiosyncrasies as parts of research methodologies.
A germinal manifesto for the audio paper.
Andreas Engström with a review of this year's Young Nordic Music Days in Aarhus, Denmark.
Andreas Engström anmelder årets udgave af Ung Nordisk Musik, der blev afholdt i Århus.
Lasse D. Hansen interviews Peder Holm and himself ahead of the Young Nordic Music Festival in Aarhus.
Lasse D. Hansen i interview med Peder Holm og sig selv forud for Ung Nordisk Musik-festivalen i Aarhus.
Andrew Mellor on Peter Bruun's 'The Green Groves' and 'Exodus'.
Tobias Linnemann Ewé anmelder udstillingen 'Tulpa – en fiktiv topografi' på Fotografisk Center d. 4. juni – 14. august 2016
Camille Roth interviewer Konstmusiksystrar, et svensk netværk for kvinder og transpersoner, om samtidsmusikkens kønsubalance.
Camille Roth interviews Konstmusiksystrar, a Swedish network for women and trans people, about the gender imbalance in contemporary music.
Ung Nordisk Musik fejrer i år 70-års jubilæum. Sune Anderberg har været i arkiverne.
Jacob Kreutzfeldt anmelder 'Sound as Popular Culture – A Research Companion' red. Jens Gerrit Papenburg og Holger Schulze. Massachusetts: MIT Press, 2016.
To meget forskellige koncerter fra årets Klang Festival med danske Athelas og engelske Distractfold. Mathias Monrad Møller anmelder.
Rasmus Cleve Christensen skriver fra Click Festival på Kulturværftet i Helsingør, 20-22. maj 2016.
Michael Fjeldsøe anmelder to koncerter fra årets Klang Festival, som bød på en hyldest af en stor mester.