interview14.02.2018
Avantgardisten, der blev romantiker
Asta Louisa Bjerre interviewer museumsinspektør Magnus Kaslov om den nye, overraskende Henning Christiansen-udstilling i Roskilde.
Arkiv
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interview24.01.2018
Musik, der vokser
Lasse D. Hansen interviewer komponisten Anna Thorvaldsdottir.
kritik23.01.2018
Middelmådighedens triumf
Andreas Engström anmelder fra årets Donaueschinger Musiktage, hvor spørgsmålet om køn og kønsbalance fyldte meget.
lyd08.01.2018
Mikrofonens magt
Lyt Dybt har besøg af den svensk-hollandske performancekunstner Olof Olsson til en snak om mikrofonens magt.
kritik04.01.2018
At være altædende
Jakob Gustaw Winckler anmelder We like We's seneste album 'Next To The Entire All', udgivet på Sonic Pieces i slutningen af 2017.
kritik15.12.2017
Undtagelsen er en broderet frø
Sune Anderberg rapporterer fra November Music, 10.-12. november 2017, Den Bosch
interview08.12.2017
Opgør med privilegietænkningen
Thorbjørn Tønder Hansen er stoppet som leder af SNYK. Ved overgangen til sit nye job som kunstnerisk leder af Ultima Festival i Norge gør han status over 10 års politisk og praktisk arbejde på tværs af musikmiljøerne herhjemme.
kritik05.12.2017
Elektroniske nocturner i skovens dybe ro
Andreo Michaelo Mielczarek anmelder Olga Szymulas electro-opera 'Lapses', Rytmisk Sal, Musikhuset Aarhus, 26. november 2017
interview04.12.2017
Improvisationen åbner musikkens verden
I anledning af, at Komponist Birgitte Alsted har modtaget Carl Nielsen og Anne Marie Carl-Nielsens Legat, har Seismograf talt med hende om hendes musik og karriere, om improvisationen som grundlæggende kompositorisk tilgang til lydenes verden og den digitale teknologis rolle i hendes musik.
PEER article15.11.2017
Turntable materialities
This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.
PEER article15.11.2017
A temple of sonic haecceities
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
PEER article15.11.2017
Beyond matter: object-disoriented sound art
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
PEER article15.11.2017
The im/mediate noise
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
PEER audio paper15.11.2017
Collisions
Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.
PEER article15.11.2017
Diagram for invisibility
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.
PEER article15.11.2017
Tears, fears and flashes
Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.
PEER audio paper15.11.2017
Origo
This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.
PEER audio paper15.11.2017
The audibility of rebellion versus nationalism
Using sounds of political chanting from Turkey, the paper shows how political orientation changes the inflection of chant, reflecting its societal positioning and purpose.
PEER audio paper15.11.2017
How to (re) do(o) things with sounds
In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.
PEER audio paper15.11.2017
Listening and not listening to voices
This audio paper considers how new listenings might lead to a richer, more inclusive sound art, that can embrace and celebrate difference.
kritik13.11.2017
12 timer på G((o))ng Tomorrow
Jakob Gustav Winckler anmelder live-installationen ‘Time is Local’ af Jacob Kirkegaard og WeLikeWe, åbningen af udstillingen ‘Awake’ af Mette Rasmussen og opførelsen af europapremieren på Keiji Hainos værk ‘Miracle’. 4/11 G((o))ng Tomorrow Festival.
reportage01.11.2017
Det handler stadig om at lege med lyd
Lasse D. Hansen rapporterer fra konferencen 'Young People, Composing and Contemporary Music' i London.
reportage27.10.2017
Tågen over Oslo
Reportage fra Ultima Festival 2017 og interview med afgående festivalleder Lars Petter Hagen.
interview22.10.2017
SNYK skal både ae med og mod hårene
Interview med Bjarke Svendsen i forbindelse med udnævnelsen af ham som ny daglig leder af SNYK.
kritik18.10.2017
Gå ikke over vejen, der kommer opera
Rikke Hansen Og Andreo Michaelo Mielczarek anmelder heldagsoperaen 'Operatic Mass Action', som var sat i scene af AUT til Aarhus 2017.