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Thorbjørn Tønder Hansen er stoppet som leder af SNYK. Ved overgangen til sit nye job som kunstnerisk leder af Ultima Festival i Norge gør han status over 10 års politisk og praktisk arbejde på tværs af musikmiljøerne herhjemme.
Andreo Michaelo Mielczarek anmelder Olga Szymulas electro-opera 'Lapses', Rytmisk Sal, Musikhuset Aarhus, 26. november 2017
I anledning af, at Komponist Birgitte Alsted har modtaget Carl Nielsen og Anne Marie Carl-Nielsens Legat, har Seismograf talt med hende om hendes musik og karriere, om improvisationen som grundlæggende kompositorisk tilgang til lydenes verden og den digitale teknologis rolle i hendes musik.
This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.
Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.
This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.
Using sounds of political chanting from Turkey, the paper shows how political orientation changes the inflection of chant, reflecting its societal positioning and purpose.
In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.
This audio paper considers how new listenings might lead to a richer, more inclusive sound art, that can embrace and celebrate difference.
Jakob Gustav Winckler anmelder live-installationen ‘Time is Local’ af Jacob Kirkegaard og WeLikeWe, åbningen af udstillingen ‘Awake’ af Mette Rasmussen og opførelsen af europapremieren på Keiji Hainos værk ‘Miracle’. 4/11 G((o))ng Tomorrow Festival.
Lasse D. Hansen rapporterer fra konferencen 'Young People, Composing and Contemporary Music' i London.
Reportage fra Ultima Festival 2017 og interview med afgående festivalleder Lars Petter Hagen.
Interview med Bjarke Svendsen i forbindelse med udnævnelsen af ham som ny daglig leder af SNYK.
Rikke Hansen Og Andreo Michaelo Mielczarek anmelder heldagsoperaen 'Operatic Mass Action', som var sat i scene af AUT til Aarhus 2017.
Lea Wierød Borčak interviewer komponisten Line Tjørnhøj.
Svend Hvidtfelt Nielsen anmelder Wayne Siegel: Celebration, Per Nørgård: Orgelbogen - Canon, Axel Borup-Jørgensen: Organ Music
Mads Kjeldgaard tegner et portræt af den amerikanske komponist Julius Eastman, som i øjeblikket er ved at blive genoplivet fra de ukendte komponisters grav.
Juliana Hodkinson interviewer antropolog/kulturteoretiker Georgina Born om køn og andre sociale relationer i samtidsmusikken.
Copenhagen Art Weeks tema var i år 'Sound and vision'. Seismograf anmelder tre af festivalens værker af henholdsvis Tobias Kirstein, Ursula Nistrup og Jacob Kirkegaard/Niels Lyhne Løkkegaard.
Andreas Engström anmelder Sarah Nemtsovs opera 'Sacrifice', der havde premiere 5. marts på Halle i Sachsen-Anhalt.