The Symphonic Statement of the Year
The music is brutal, relentless. But could it have been more: more in colour, beyond the duel?
The music is brutal, relentless. But could it have been more: more in colour, beyond the duel?
Når den ambitiøse lydkunstvandring »Witness Stand« på Refshaleøen er bedst, spidder den københavnernes gentrificering af det gamle industriområde. Men har den blik for, at den selv er en del af problemet?
At its best, the ambitious sound art walk »Witness Stand« at Refshaleøen pierces right into Copenhagen’s gentrification of the old industrial area. But does it realise that it is itself part of the problem?
Få dage inden årets Copenhagen Opera Festival begynder, er jeg som anmelder blevet bedt om at holde mig væk fra en af festivalens mest eksperimenterende opførelser på teatret Sort/Hvid. Det er en total misforståelse af kritikkens rolle.
A few days before this year’s Copenhagen Opera Festival begins, I, as a critic, have been asked to keep away from one of the festival’s most experimental performances at the theatre Sort/Hvid. This is a complete misunderstanding of the role of criticism.
»Marches Rewound and Rewritten« er et skelsættende og vigtigt album, som lyser mørkt i disse svære tider og minder os om, at alt er politisk – især musik.
»Sofie Birch and Antonina Nowacka create a sensuous acoustic space where the dream of another time is allowed to emerge.«
Sofie Birch og Antonina Nowacka skaber et sanseligt akustisk rum, hvor drømmen om en anden tid får lov at tone frem.
Polskfødte Szymon Gąsiorek har gjort det igen – skabt et overflødighedshorn af et album.
En antihymne for dem, der sover til koncerter og vågner til Cage, der mumler.
An anti-anthem for those who fall asleep at concerts and wake up with Cage talking nonsense.
Borealis in Bergen promises experimental music but falls short when it comes to traditional concert formats. Instead, magic emerges when the audience is invited out into the forest or into floating sound saunas.