in briefrelease
14.01

70 Minutes Confined to a Creaking Construction Site

Gayle Young & Robert Wheeler: »From Grimsby to Milan«
© PR
© PR

The Amranthen is a peculiar string instrument, invented and built by Canadian instrument maker Gayle Young. It consists of a wooden box fitted with 21 steel strings and three bass strings, and its unique, organic timbre unfolds on From Grimsby to Milan, where Young improvises alongside American musician Robert Wheeler on synthesizer. The recordings from Grant Avenue Studios capture the encounter between the acoustic and the electronic in a loosely shaped, raw musical flow.

Across nearly 70 minutes divided into six parts, the listener is kept in a state of constant uncertainty. The sonic landscape resembles a noisy, dystopian construction site: on »Seaweed Slowly Shifting«, bows are drawn with a saw-like rasp, fingers scratch, machines whirr, and sharp electronic zaps flash like warning lights. Later, bells and pulse-like rhythms enter on »Mariana Trench«, while »Consonant Harmony« slows the pace, settling into a subdued, crackling atmosphere where sparse melodic gestures suggest a momentary lull in the turmoil.

The construction-site metaphor fits well, for the most compelling version of this project would likely be to experience Young’s handmade instruments live, in direct dialogue with Wheeler’s electronics. As an audio recording, however, the project remains closed-off and somewhat insular. And although From Grimsby to Milan contains a wealth of fine detail, the journey – from Grimsby in Canada to Milan in Ohio – ultimately feels long and monotonous, without ever offering the listener the key to unlock its dystopian worksite.

English translation: Andreo Michaelo Mielczarek

© Paw Ager

»For me, music is about curiosity and surprises – yet it’s also something in which you can feel right at home. Music resides within us all, in a physical way that sets it apart from any other art form. To me, music is something greater than the individual – something that will always outlive the individual. The good stuff, in other words ;) « 

Kaspar Kaae is an award-winning film composer, music producer, and songwriter, known for his work with bands such as CODY and Bug Chaser. He holds a Master’s degree in film composition from SDMK.  He has previously been a guitarist in a number of bands on the Danish indie scene, such as CODY, Broken Twin, and Bug Chaser. The latter is releasing the album My First Crippled Love in November. He was born in 1983 on Bornholm, but has lived in Copenhagen and Berlin throughout his adult life.

© PR

»Music is like a black hole that sucks you in and shoots you out on the other side of the universe.«

Francesco Rista is a guitarist working across classical and electric guitar. His recordings have been reviewed by international music magazines and broadcast on BBC and RAI Radio 3. After studying at the Royal Danish Academy of Music and Lund University, he focused on studio recordings, exploring guitar repertoire from the Baroque and Romantic periods to contemporary music, as well as the instrument’s varied tonal possibilities. Rista is currently based in Iceland, where he teaches guitar, composes music, and collaborates with contemporary composers.

 

© Villads Hoffmann
© Villads Hoffmann

Percussionist and composer David Hildebrandt is honoured for his virtuosic work with new music and his efforts to push the boundaries of what rhythm can be.

David Hildebrandt is among the recipients of this year’s honorary awards from the Wilhelm Hansen Foundation. He receives DKK 200,000 in recognition of his uncompromising work with new music and multi-percussion, as well as his ability to challenge conventional ideas about rhythm.

© Thor Brødreskift
© Thor Brødreskift
The 2026 Nordic Council Music Prize goes to Norwegian composers Kristine Tjøgersen and Benedicte Maurseth for Elja, a suite for the Kronos Quartet and Hardanger fiddle.
 
Rationale
© Carsten Seidel

»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«

Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.