essay19.04.2022
During War, We Become All Ears
About the sounds of war – and the resounding silence that comes with it.
Forside
PulseMix
PulseIn brief
review04.02
Knausgård’s Apocalypse as Opera
Sebastian Fagerlund’s »Morgonstjärnan« transforms the novel’s existential unease into a powerful, collective musical drama.
reportage15.01
War Reverberations: Sound Stories From Kyiv
Air raid sirens, artillery, and everyday sounds have altered the city’s rhythm – and forced its residents to develop new ways of listening.
PulsePlaylists
Writer profile Martin Funder
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in brief19.02
From Tehran to Husqvarna
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in brief11.02
Echoes from the Olive Trees
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in brief14.01
The Excess of Attention
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in brief05.12
Anna von Hausswolff: The Path to the Organ’s Modern Resurrection
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in brief29.09
The Ever-Changing Waters Of the Mind
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in brief29.09
When Synthesizers Sprout: Filip Leyman’s Organic Debut
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in brief29.09
In a Warm Bed of Darkness
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in brief04.07
When Machines Dream: The Electronic Poetry of Oh No Noh
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in brief24.05
The Electronic Altar
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in brief14.03
Community in Collapse
Martin Funder holds an MA in Philosophy and Philosophy of Science from Roskilde University (2024), with a specialisation in perception, interpretation, and ambient music. His areas of focus include technology, ecocriticism, film, and postmodernism. He is an active performing musician, among others, in Deadpan and Countermarch.