Alarming calls and whispering winds

On game-calling instruments, mimicry and intersubjectivity 

Abstract

This audio paper explores so-called »game-calling instruments« as vessels for mimetic practices and intersubjective experiences. Game-calling instruments have a millennia-old tradition in various cultures of luring animals closer to the respective hunter’s hideout spot and are considered to be the first instruments built by humans. 

Starting from an encounter with a hunter in the Thuringian Forest in the east of Germany, while listening into the forest’s decline due to monoculture plantings, climate crisis and a correlated bark beetle infestation, the audio paper explores how to use these instruments and practices beyond tricking animals to tune into the resonances of animal voices, hushing leaves, whispering winds, and, inevitably, environmental collapse. 

© PR
© PR

Drawing from environmental semiotics and the onomatopoeic echoes of flowing rivers and rustling leaves, the audio paper urges a release from rigid human perspectives and explores the possibilities of attuning to the subtleties of more-than-human communication. It proposes mimesis and empathetic listening as tools to engage with our surroundings beyond extractivism and as an ambiguous practice that embraces failure to develop intersubjective experience and sonic fictions, while reconnecting with the rhythms and patterns of the more-than-human world.

 

 

 

Bibliography

Abram, D. (1997). The Spell of the Sensuous: Perception and Language in a More-Than-Human World. Vintage. 

Davin, L. et al. (2023). »Bone aerophones from Eynan-Mallaha (Israel) indicate imitation of raptor calls by the last hunter-gatherers in the Levant«. Scientific Reports, 13(1). https://doi.org/10.1038/s41598-023-35700-9.

Dizard, J.E. and Stange, M.Z. (2022). Hunting: A Cultural History. MIT Press. 

Glissant, É. (1997). Poetics of relation. University of Michigan Press. 

Haskell, D.G. (2022). Sounds wild and broken – Sonic Marvels, Evolution’s Creativity and the Crisis of Sensory Extinction. Faber & Faber. 

Impett, J. (2023). »New Mimesis: Introduction«. ECHO, a journal of music, thought and technology, 14. doi.org/10.47041/JFPI1409.

Jach, A. (2019). »How to talk with birds, trees, fish, shells, snakes, bulls and lions?«. In: Majewski, A. (ed). How to talk with birds, trees, fish, shells, snakes, bulls and lions?. Kettler. 

Kohn, E. (2013). How forests think: Toward an Anthropology Beyond the Human. Univ of California Press.

Rybačiauskaitė, K. (2022). »Towards a diffractive mimesis: Karen Barad’s and Isabelle Stengers’ Re-Turnings«. Journal of Posthumanism, 2(2), pp. 139–150. https://doi.org/10.33182/joph.v2i2.1943.

Voegelin, S. (2014). Sonic Possible Worlds: Hearing the Continuum of Sound. Bloomsbury Academic.

Wassermann, U. (2022). »Sympoietic Vocal Practice«. Journal of Interdisciplinary Voice Studies 7, no. 1, pp. 85-96. https://doi.org/10.1386/jivs_00056_1.

Wright, M.P. (2022). Listening after nature: Field Recording, Ecology, Critical Practice. Bloomsbury Publishing USA.

 

 






 

Keywords

Mimetic Practices
Intersubjective Experience
Game-calling Instruments
More-than-human Communication
Semiotic Listening       

Fokusartikler