Feminist readings of 20th-century electronic music history cannot avoid questioning the notion of canon and canon-oriented historiographical practices. Shedding light on women composers from non-Western contexts can further come in handy in searching for ways to engage with the history of gender in music beyond mainstreaming and the rhetoric of exceptionalism.
Hendes navn er stadig langt fra lige så kendt uden for Danmarks grænser som hendes jævnaldrende mandlige samtidige – eller de kvindelige komponister, der oftere og hyppigere optræder i koncertprogrammer som følge af en stigende interesse for genvundne fortællinger om kvinder, der har komponeret elektronisk musik siden 1950'erne. I år ville Else Marie Pade være fyldt 100 år.
Var det bare for sjov, at verdens ældste festival for nordisk samtidsmusik rejste til Skotland? Nej, det var en hel dannelsesrejse.
A questioning of the very idea of ‘generic sound’ in the face of the ever growing datafication of the mundane.
Informed by DJ practice and practice-led research, this audio paper shares historical examples of locked grooves alongside loop-based compositions and a new installation work.
This audio paper consider how human activity as a possible vehicle of interference serves as a resistance agent against the speculated becoming-generic of alert sounds in public and private spaces.
This audio paper is a provocation in response to the political provocation of generic aural gentrification.
This audio paper investigates the private and public ways in which we encounter or engage with sounds, questioning the particularity of sound events as they enter our acoustic boundaries.
An audio paper on the historical scold’s bridle: a Late Middle Ages' torture instrument used by European men to silence European women and enslaved Africans.
This audio paper explores choric settings of generic voices as a vehicle for contemplating and deconstructing concepts of Being and subjectivity.
Reflections on an isolated generic sound and how it operates on an affective spectrum from the banal to the horrifyingly significant.
Krig, flygtninge og ødelæggelse er uundgåelige på Venedig Biennalen. Det kan føles, ses, høres og omslutter os totalt. Har der nogensinde været så meget lyd i Venedig?