Perspective

what we immerse ourselves in

review24.01

Matias Vestergård revisited

© PR
Revivals have moved onto the agenda among Danish composers, and this month two violent operas by Matias Vestergård benefited from the trend. What is it that makes him so good at writing precisely that kind of work?
By Sune Anderberg
© Høgni Heinesen
review23.01

Universal Music with Local Truths 

Local traditions play a central role in the second-ever Faroese opera, in which Sunleif Rasmussen reclaims a local story made famous by Wagner.
By Andrew Mellor
review12.12

When Bodies, Technologies and Whole Worlds Come Undone

From cyborg kinships and alchemical wonder to masculine fragility and Anthropocene ecstasy – MINU showed that art still holds space for vulnerability, ferocity and strange beauty.
By Macon Holt
review19.11

Turn it Up!

Charlottenborgs hyldest til Mika Vainio vil være en lydbiograf, men uden ordentlig volumen, mørke eller kontekst ender installationen som en oplevelse, man hurtigt glider ud af.
By Louise Steiwer