PEER article06.01.2024

Sound as shield

Doing Ukrainian self-defense

By Olya Zikrata

PEER article11.12.2023

Democratic noise

Improvisation, democratic conversation and Free Jazz Mod Paludan

By Noa Grønhøj & Jakob Kjær Bødker

• PEER article11.12.2023

  The human body as a space defining element of sound art

  
  This article researches the role of the Human body in the production of sound art in the exhibition space. It focuses on the spatial path between body and sound in the exhibition space of sound art.

  By Andromachi Vrakatseli
• PEER article11.12.2023

  The lyric ear

  
  The article analyses the genre of listening scores – texts written in a natural language that provide the readers with instructions to listen in a certain way or to a certain kind of sounds.

  By Vadim Keylin
• PEER article02.06.2022

  Sensory concert

  
  An analysis of a sensory concert and its challenge of the gendered stage.

  By Marie Koldkjær Højlund & Anne-Sofie Udsen

• PEER article02.06.2022

  Gender matters

  
  Inclusion and exclusion of gendered artefacts, bodies and things in the spaces of P3´s music production.

  By Katrine Wallevik
• PEER article06.04.2021

  Seismograms of a musical work

  
  An investigation of pianists’ independence from the score by comparing their tempo through graphs.

  By Alisa Yuko Bernhard
• PEER article06.04.2021

  A chip off the old Block?

  
  Historically-informed recording research exploring the work of the amateur recording pioneer Julius Block.

  By Inja Stanović & Adam Stanović

PEER article26.06.2020

Beyond the media reveal

If we sought to go beyond the media reveal, what new practices of knowledge should emerge?

By Jamie Allen

PEER article26.06.2020

Sounding new materialism

– enchantment and audio technology

By Joe Cantrell