PerspectiveInterview

what we immerse ourselves in

interview24.12

A Case for Simplicity

The Taiwanese-Danish percussionist Ying-Hsueh Chen explores the world’s smallest sounds – from red deer bones to roof tiles – in her pursuit of a music that is both ancient, courageous, and radically simple.
By Henrik Marstal
interview15.05

From Darkness to Magic: Warren Ellis and the Journey Toward the Light

After a brutal depression, Warren Ellis returns with renewed strength – and deep gratitude. The 60-year-old Australian multi-instrumentalist opens up about pain, love, animals, creativity, and Nina Simone’s sacred chewing gum.
By Peter Albrechtsen
  • interview09.03.2022

    Three Artists. One Hope

    Katarina Gryvul. © Nika Gargol
    Three snapshots from three different lives: Kateryna Zavoloka, Katarina Gryvul and Boris Filanovsky. All work with music, their countries are at war, and they condemn Russia's invasion of Ukraine. They have not met each other and the article consists of three unique interviews with Seismograf. None of them see themselves as political artists, but they do believe that it is a human duty to speak out and fight back when the leader of one's homeland orders war against the other two's homelands. 
    By Julie Hugsted
  • interview24.01.2022

    »I want to examine sound's relationship with as much of the world as possible«

    © Museum of Portable Sound
    The sound of Freud’s toilet in Wienna, Andy Warhol in the supermarket, and the first pirated mp3 ever – Museum of Portable Sound collects and exhibits sound as cultural objects. And the sounds in the collections are only accessible from curator John Kannenberg’s iPhone 4S.
    By Julie Hugsted
  • interview06.08.2021

    All Tomorrow's Music

    © Willa Wathne
    One of Europe’s oldest contemporary music festivals comes to Aarhus. We profile Ung Nordisk Musik, which is as ageless as Madonna and contains Icelandic vulgarities from 1612.
    By James Black
interview08.03.2021

‘We don’t have the same aspirations at all’

Mikkel Schou. © Zuhal Kocan
The safe choice would be to study the old masters and the canonised works, but guitarist Mikkel Schou finds more meaning in the brand-new music composed today. His upcoming Debut Concert from the Royal Danish Academy of Music is a ‘thanks, but no thanks’ to institutional forces of habit.
By Andrew Mellor
Christian Winther Christensen. © Mette Kramer Kristensen
interview02.06.2020

‘I wanted to be radical’

Instruments struggle to voice themselves in the music of Christian Winther Christensen. In many ways, his focus on small sounds and deep concentration is a perfect match for a time of silenced soundscapes.
By Andrew Mellor