review13.07.2026
Five Things I Learned About Love in Bergen
The Bergen International Festival promised »endless love«. I listened closely – and found it everywhere from medieval madrigals to pop ballads spanning the centuries.
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in brief09.07.2026
Two Singular Voices in Close Orbit
Lotte Anker and Fred Frith met in a performance where stoic calm and frenetic guitar work fused into free improvisation of both weight and beauty.
in brief08.07.2026
Pak Choi and Percussion at Table 12
At CC Taste, Søren Kjærgaard, Kresten Osgood and Christian Lillinger turned the restaurant into a stage for free improvisation, everyday noise and anti-furniture music.
comment08.07.2026
Out of Utopias and Down to Earth
From Old Testament wisdom and hippie dreams of community to erotic nightclub atmospheres and dark, rumbling techno. Roskilde Festival 2026 is a wild ride through eras, genres and mental geographies – and a good place to practise carrying dreams carefully through the extreme conditions of our time.
03.07.2026
Invisible citizens, sonic refugees
Post-2020 musicalities in Belarus and in exile
03.07.2026
Hygge acoustics
(Dis)comfortable politics
03.07.2026
Singing citizenship?
Trust and dissent in Denmark’s lockdown singing
03.07.2026
An economics of audibility
Pricing urban ear-time and sonic citizenship over 24 hours
03.07.2026
The voice of the state
AI-generated text-to-speech communication in public e-governance
03.07.2026
Listening as civic technology
Resonant citizenship and the curatorial tactics of Momentum 13
03.07.2026
Sound of democracy
Towards the democratisation of standards for soundscapes
03.07.2026
You are a shining diamond inside
03.07.2026
Tinnitus attuning
An ethnographic exploration of aural diversity and how we hear together as sonic citizens
03.07.2026
Listening as worlding
An artistic-led attuning method to places and communities
03.07.2026
The drum and the community
Unboxing sonic cultural heritage
03.07.2026
Precarious resonances
Sonic citizenship, fragility, and collective audibility in sumar by Diamela Eltit
03.07.2026
Mobile sonic citizenship
Co-sounding the outdoors in Helsinki
03.07.2026
Sonic solidarity
03.07.2026
Dead silence
Negotiating noise with the non-living
03.07.2026
Arriving, attuning, assembling, and adapting
Becoming sonic citizens with BEEP zine
03.07.2026
Sounding missing persons
03.07.2026
Humming posthuman belonging
Circulating sounds as memetic citizenship practices in online music cultures
review02.07.2026
Oh, to Lose Yourself in Moers
The German Moers Festival is no longer primarily a jazz festival, but a curated laboratory for free improvisation, sound art, compositional music, and political absurdism. At times it feels forced. Most of the time, it is liberating.
playlist01.07.2026
My name is Marie Arleth Skov – would you like to see my playlist?
Music for me is medicine, comfort and a kick in the ass. Community, joy, a vent. Poetic political compass
review28.06.2026
When Music Stopped Explaining Itself
Klang Festival was at its strongest when the works spoke directly to the body rather than to the programme notes. Not everything succeeded, but this year's festival was willing to take risks.