Verdi in the War Zone
SØS Gunver Ryberg blows Verdi apart from within in a fierce and sensuous Jeanne d’Arc, where the beauty of opera collides with the noise of war and the fractures of the present.
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SØS Gunver Ryberg blows Verdi apart from within in a fierce and sensuous Jeanne d’Arc, where the beauty of opera collides with the noise of war and the fractures of the present.
It is a successful EP with a clear sense of purpose: the strong textual foundation establishes a distinct compositional direction without digressions
Nevertheless, »Vildnis« emerges as a cohesive and engaging experience, despite the unpredictability of the experiment
The Danish composer turns architecture, body, and context into part of the work – challenging our notions of what music is and how we experience it.
Music for me is the fifth dimension of life, connecting all the others
Music for me is something that’s constantly playing in my head. I can’t switch off that part of my brain where new melodies and rhythms emerge and take shape
But yes, you missed out. Especially on young Albert Laubel, who did exactly what you hope someone will do at this kind of concert: suddenly step forward, make a mark, and promise something for the future
Estonian Music Days revealed a musical culture caught between tradition, renewal, and a restless world.
TAK Ensemble once again demonstrates its remarkable sensitivity to the materiality of sound, inviting listeners to move beyond the often harsh surface of the present – and, perhaps, to breathe more freely again
Music for me is a huge gift and an equally big mystery
Yet Barwick’s cinematic whistling and Lattimore’s harp arpeggios still found a glimmer of light within the dystopian darkness
Even the most brutal sounds in Laura Bowlers »The White Book« possessed a refined and disarming fragility
Vanessa Amara got stuck in therapeutic deep house, while Soli City arrived at Beboerhuset with an overflow of chopped-up hyperpop aesthetics and melancholic spoken-word
One wishes Squarepusher had either ventured further into the orchestral realm or trusted more in what he actually excels at, giving the electronics freer rein
MaerzMusik in Berlin opened with 50 pianos – and bold experiments that didn't always land.
Music for us is the perfect language that we love to speak
Laurie Anderson and Sexmob fused slideshow, music, and political reflection in a dry, playful, and surprisingly hopeful concert at DR Koncerthuset.
»Music for me is a world full of sound that you can explore, juggle with, systematize
Music is a deep, but not serious, spiritual practice
Music is just something for me
Music, for me, reveals the emptiness of boundaries and definitions – in consciousness, in space, and in music itself
»Music for Intersecting Planes« holds something far more porous and open than Malone and Bordreuil’s earlier works
Music, to me, is freedom to dance without inhibition, to let the tears flow freely, and the freedom to play air drums at full speed on my yellow racing bike as I ride down Mejlgade
For a long time, CTM has served as a beacon for contemporary electronic music. But in an increasingly fragmented scene, the question arises: does the festival still show the way?
In the end, one is left with the feeling of having attended a lecture rather than an opera. My final note before the curtain fell: Will this be on the test?