My name is Lars Hannibal – would you like to see my playlist?
Music occupies most of my waking hours. It is a condition that began to grow when I was a teenager.
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Music occupies most of my waking hours. It is a condition that began to grow when I was a teenager.
A dialogue on listening, loss and resonance across Poland, Germany, UK and Denmark.
It has become a cherished December tradition that Koncertkirken opens its doors to curious explorations of the nature of the organ when the Organ Sound Art Festival moves in. This year the festival could celebrate its 10th anniversary, and the fascination with the organ’s many paradoxes remains intact.
»'Where to From' is a powerfully mood-saturated work that moves effortlessly between chamber music and neoclassicism.«
From cyborg kinships and alchemical wonder to masculine fragility and Anthropocene ecstasy – MINU showed that art still holds space for vulnerability, ferocity and strange beauty.
»Varve« is an album for those who prefer listening experiences at an unhurried pace; for those who find Hans Zimmer too grandiose.
Music for me is the purest transformation of any energy hiding inside.
Swedish artist Anna von Hausswolff transformed the organ’s sacred resonances into modern, pulsating stage music.
Music, to me, is … the silence that gropes – like yourself – across a black canvas.
»For me, music is a non-figurative process that cannot be definitively categorised.«
When I search for new music, I search for sound that evokes images in my mind. It is fuel, a gateway to emotion, and my most important writing companion. When inspiration lapses, music is the tool that always jumpstarts it.
Music, to me, is a companion through life, a premise, an excuse, a mystery, an explanation, a point of departure.
Charlottenborgs hyldest til Mika Vainio vil være en lydbiograf, men uden ordentlig volumen, mørke eller kontekst ender installationen som en oplevelse, man hurtigt glider ud af.
Current Resonance turned the idea of work inside out in an absurd, sweat-drenched performance that pulled the audience into a hard-pumped ritual of labour.
»Music amplifies every emotion, love, happiness, anger, sadness a thousand times over, making me feel everything more deeply and sensitively.«
Like all art, music is a language for emotions, dreams, and the search for meaning—but for us it is just as crucial that music is a path to community.
Music, to me, is the lifeline to the world that more than anything else creates emotional resonance and fills my head with confetti of thought.
On the Danish island of Samsø, humans, sheep, and birds listen together to the music of nature – a journey into the ecology of sound.
Veroníque Vaka turns monumental geological forces into beguiling music.
OperaHole nevertheless looks like a strong contender to carry on our tradition of playful underground opera.
Unsound in Kraków is still more than a festival – it’s an echo of our own search for connection in the age of noise.
»Eager Buyers« is captivating – even for listeners who don’t usually venture into the electronic sphere.
Music, to me, is true luxury and has always been an opening into a language without constricting categories, with room for both intimacy and impact.
At Betty Nansen Theatre, Louise Alenius and Elisa Kragerup turn Selma Lagerlöf’s tragic tale into a haunting meditation on sound, silence and longing.
On »BODY« IKI turns the voice inside out and lets technology listen beneath the skin – to the point where body, circuit, and circulation become one.