The Kids Are Alright
But yes, you missed out. Especially on young Albert Laubel, who did exactly what you hope someone will do at this kind of concert: suddenly step forward, make a mark, and promise something for the future
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But yes, you missed out. Especially on young Albert Laubel, who did exactly what you hope someone will do at this kind of concert: suddenly step forward, make a mark, and promise something for the future
Estonian Music Days revealed a musical culture caught between tradition, renewal, and a restless world.
TAK Ensemble once again demonstrates its remarkable sensitivity to the materiality of sound, inviting listeners to move beyond the often harsh surface of the present – and, perhaps, to breathe more freely again
Music for me is a huge gift and an equally big mystery
Yet Barwick’s cinematic whistling and Lattimore’s harp arpeggios still found a glimmer of light within the dystopian darkness
Even the most brutal sounds in Laura Bowlers »The White Book« possessed a refined and disarming fragility
Vanessa Amara got stuck in therapeutic deep house, while Soli City arrived at Beboerhuset with an overflow of chopped-up hyperpop aesthetics and melancholic spoken-word
One wishes Squarepusher had either ventured further into the orchestral realm or trusted more in what he actually excels at, giving the electronics freer rein
MaerzMusik in Berlin opened with 50 pianos – and bold experiments that didn't always land.
Laurie Anderson and Sexmob fused slideshow, music, and political reflection in a dry, playful, and surprisingly hopeful concert at DR Koncerthuset.
»Music for me is a world full of sound that you can explore, juggle with, systematize
Music is a deep, but not serious, spiritual practice
Music is just something for me
Music, for me, reveals the emptiness of boundaries and definitions – in consciousness, in space, and in music itself
»Music for Intersecting Planes« holds something far more porous and open than Malone and Bordreuil’s earlier works
Music, to me, is freedom to dance without inhibition, to let the tears flow freely, and the freedom to play air drums at full speed on my yellow racing bike as I ride down Mejlgade
For a long time, CTM has served as a beacon for contemporary electronic music. But in an increasingly fragmented scene, the question arises: does the festival still show the way?
In the end, one is left with the feeling of having attended a lecture rather than an opera. My final note before the curtain fell: Will this be on the test?
Music for me is a place to meet both oneself and others in emotions
Music is the pre-linguistic and pre-logical art form that allows us to access parts of consciousness that have not yet been thought about
At Borealis in Bergen, community is everywhere. But when everything is filtered through safety and intimacy, the music risks losing its necessity – and its bite.
Manchester Collective let longing, rupture and beauty seep through contemporary British music
A light – and perhaps somewhat cheap – dish, but who has the energy for more after four weeks of campaigning?
Before you know it, an hour has passed in which Vestergård, Sandberg, and ÆTLA have slipped poetry, madrigals, and new vocal music down the throat of a young audience. It can actually be quite fun!
Personally, I use music all the time – to create energy on a run, to create concentration for work tasks, or to find peace in stressful situations, such as in the dentist's chair