PEER article03.07.2026
The voice of the state
AI-generated text-to-speech communication in public e-governance
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PEER article03.07.2026
Listening as civic technology
Resonant citizenship and the curatorial tactics of Momentum 13
03.07.2026
Sound of democracy
Towards the democratisation of standards for soundscapes
PEER audio paper03.07.2026
You are a shining diamond inside
PEER audio paper03.07.2026
Tinnitus attuning
An ethnographic exploration of aural diversity and how we hear together as sonic citizens
03.07.2026
Listening as worlding
An artistic-led attuning method to places and communities
03.07.2026
The drum and the community
Unboxing sonic cultural heritage
03.07.2026
Precarious resonances
Sonic citizenship, fragility, and collective audibility in sumar by Diamela Eltit
PEER article03.07.2026
Mobile sonic citizenship
Co-sounding the outdoors in Helsinki
PEER audio paper03.07.2026
Sonic solidarity
How sonic solidarity is formed within a separatist community of women who have undergone fertility treatment
PEER audio paper03.07.2026
Dead silence
Negotiating noise with the non-living
PEER article03.07.2026
Arriving, attuning, assembling, and adapting
Becoming sonic citizens with BEEP zine
PEER audio paper03.07.2026
Sounding missing persons
PEER article03.07.2026
Humming posthuman belonging
Circulating sounds as memetic citizenship practices in online music cultures
review02.07.2026
Oh, to Lose Yourself in Moers
The German Moers Festival is no longer primarily a jazz festival, but a curated laboratory for free improvisation, sound art, compositional music, and political absurdism. At times it feels forced. Most of the time, it is liberating.
playlist01.07.2026
My name is Marie Arleth Skov – would you like to see my playlist?
Music for me is medicine, comfort and a kick in the ass. Community, joy, a vent. Poetic political compass
review28.06.2026
When Music Stopped Explaining Itself
Klang Festival was at its strongest when the works spoke directly to the body rather than to the programme notes. Not everything succeeded, but this year's festival was willing to take risks.
review23.06.2026
While Europe's Jazz Searches for New Languages
At Jazzkaar, international stars are no longer the main attraction. Instead, the festival offers a glimpse of an Estonian scene in the process of shaping its own musical identity.
in brief19.06.2026
When the Machine Starts Singing
On »Poetics of a New Estate«, Soli City dissolves the boundary between the acoustic and the digital
playlist18.06.2026
We are Selvhenter – would you like to see our playlist?
Music, for us, is a fusion of different consciousnesses into a single shared focal point
playlist09.06.2026
My name is Håkon Guttormsen – would you like to see my playlist?
Music for me remembers
in brief07.06.2026
Deadly Serious Play at Louisiana
Simon Steen-Andersen’s portrait concert at Louisiana was an overwhelming encounter between grotesque humour, video art, and brutal reality.
playlist06.06.2026
My name is Troels H. Sørensen – would you like to see my playlist?
Music guides me through life – whether it is the biggest and best moments of my life, or difficult periods
review04.06.2026
In a Forest Without a Path
Niels Rønsholdt’s new music-theatre work »Osmosis« creates a compelling universe of inverted trees, yearning voices, and rock-inflected asceticism. Yet the work’s central idea remains elusive.
playlist30.05.2026
My name is Jungstötter – would you like to see my playlist?
Music for me is osmotic refuge