She Makes the Music Vibrate Like a Living Organism

Astrid Sonne: »Great Doubt«

When I first listened to the Danish violist, singer, and producer Astrid Sonne’s new album, Great Doubt, I honestly wasn’t quite sure what to make of it. I immediately noticed how extraordinary Sonne’s viola sounds on the album – such a powerful presence that it almost feels like a deeply complex living organism, breathing, feeling, and moving dramatically through the album’s nine songs.

My favourite track was without a doubt »Almost«, where Sonne’s fragile, subtly intense voice is accompanied solely by the viola’s minimalist pizzicato melody, which reminds me of a forgotten composition from Japanese new age pioneer Hiroshi Yoshimura’s masterpiece Green.

On most of the tracks, however, voice and viola are also joined by electronic rhythms, piano chords, and synth figures which, in contrast to the viola’s organic, vibrating sound, initially struck me as almost plastically artificial. To me, it sounded as if the viola and the electronics were being transmitted from two very different universes, unable to fully coexist. There was something about the contrast that felt slightly… uncanny.

Yet with repeated listens, everything begins to make sense. Sonne’s coolly understated voice is the glue that binds the entire soundscape together, as if it itself exists in the porous space between the viola’s raw natural force and the electronics’ tamed purity. I like it more and more – and perhaps I may even come to love it. Great Doubt is an album that, despite its modest running time of just 26 minutes, demands immersion and reflection – and ultimately rewards the listener for it.

playlist

31.08

My name is Pablo Fernández – would you like to see my playlist?

»Music is my life. It has accompanied me all the way and given me experiences, friendships and opportunities that I could never have imagined.«

Pablo Fernández is a Spanish musician and the new Head of Classical Music at the Royal Academy of Music, Aarhus/Aalborg. For many years, he was principal tuba player with the Barcelona Symphony Orchestra and has taught at higher music education institutions in Spain and Denmark. He is also active as a conductor, soloist, guest lecturer and jury member at international competitions. Fernández has extensive experience in the management and development of music projects, festivals and international collaborations. He has lived in Aarhus since 2014 and has been affiliated with the Royal Academy of Music since 2021.

playlist

29.08

We are Nightmaries – would you like to see our playlist?

»Music is, to us, a kind of closed club of nepotism, networking and Copenhagen cowboy energy. But in reality, it’s got nothing to do with expensive guitars or technical skill. For us, music is something you can feel in your chest, or something that gives you goosebumps. The best concerts are when someone screams so earnestly that the rest of us don’t have to. The best music expresses emotions in a way that would get you picked up by an ambulance if you did it out on the street. For us, music should fuck with the people who have it too comfortable, and give those who have it fucked a feeling that they’re not alone. Boom. And what the fuck is a chord and a key anyway? Kisses from Nightmaries.«

Nightmaries blend saws, guitars and voices into a dark-country, no-wave, cowboy-doom nightmare. They create the kind of soundtrack that feels like a fever dream you somehow don’t want to wake up from. As the world gets stranger and darker, Nightmaries lean into the madness, serving up slow-burning songs that creep under your skin like a poison that takes its sweet time. Put on your favourite steel-toe boots, dip your smoky eyes in an ashtray, and prepare yourself for sloppy doom with punk energy.

playlist

21.08

Mit navn er Fenja – vil du se min playliste?

»To me, music is love. I love how music allows you to skip the small talk and connect directly with people’s innermost selves. It is an extraordinary and moving way to meet one another.«

Fenja wrote her first song at the age of twelve – about a polar bear dying due to climate change – and themes of existentialism, nature, and her own sensitive nature came to define the lyrics and sound she has since developed. She released her debut album, Flugtdyr, in 2021, and in February 2026, she released the album Menneskedyr.

news

12.08

Sofus Forsberg (1970–2026)

Danish composer Sofus Forsberg has died at the age of 56. With his distinctive blend of melodic sensibility, electronic processing and rhythmic precision, he created a musical world that moved effortlessly between IDM, pop and the avant-garde.

playlist

11.08

Mit navn er Tue Track – vil du se min playliste?

»Music for me is my hobby, my job, my outlet, my mood, an endless source of discovering new music and new, old music, some of the best and can be some of the worst. And I love it!«

Track72 aka Tue Track aka Anders Lundby Brixen. Producer, DJ, rapper and more. Known for his role in the trio Malk De Koijn, which since the mid-1990s has created a personal universe in Danish hip-hop. Has performed in Ponyblod, Xtra Naan, Track Abdullah Rock, Booty Cologne and others.