Perspectivereview

what we immerse ourselves in

review24.01

Matias Vestergård revisited

© PR
Revivals have moved onto the agenda among Danish composers, and this month two violent operas by Matias Vestergård benefited from the trend. What is it that makes him so good at writing precisely that kind of work?
By Sune Anderberg
© Høgni Heinesen
review23.01

Universal Music with Local Truths 

Local traditions play a central role in the second-ever Faroese opera, in which Sunleif Rasmussen reclaims a local story made famous by Wagner.
By Andrew Mellor
review07.09

No Dying Diva in Paris – but Glitter, Dog Life and Office Humor

Copenhagen Opera Festival 2025 turned away from opera’s classical themes of fate and instead gave space to intimate music-dramatic experiments on queer identity, domestic violence, climate crisis, and mental illness.
By Jeppe Rönnow
review27.08

The Myth Of the Sound City By the Limfjord

Struer Tracks showed that even municipal branding can open new worlds when sound art gets involved – from glitching rat voices in the basement of the music school to subwoofers that shook the harbor.
By Jakob Gustav Winckler