• PEER article26.06.2020

  Beyond the media reveal

  
  If we sought to go beyond the media reveal, what new practices of knowledge should emerge?

  By Jamie Allen
• PEER article26.06.2020

  Sounding new materialism

  
  How does a sonic artist come to terms with the global effects of the tools of her trade?

  By Joe Cantrell
• PEER article26.06.2020

  The composer as curator

  
  How John Cage deconstructed the governed gallery experience and formed a new field of research.

  By Liora Belford

• PEER article26.06.2020

  Confronting embodied knowledge

  
  A methodology of working with embodied sound and movement as an approach to creating open score pieces.

  By Solomiya Moroz
• PEER article28.06.2019

  The audio paper

  
  The current practice of the new format of the audio paper as well as its brief history.

  By Sanne Krogh Groth & Kristine Samson
• PEER article15.11.2017

  Diagram for invisibility 

  
  The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.

  By Rune Søchting

• PEER article15.11.2017

  Tears, fears and flashes

  
  Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.

  By Ido Govrin
• PEER article15.11.2017

  The im/mediate noise

  
  This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.

  By Kevin Day
• PEER article15.11.2017

  A temple of sonic haecceities

  
  An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.

  By David Chesworth