• PEER article26.06.2020

  The institutional situation of so-called sound art

  
  A curatorial reading of Bruce Nauman’s sound installation “Für Kinder” calling for a post-medium approach to sound art.

  By Rasmus Holmboe
• PEER article26.06.2020

  Confronting embodied knowledge

  
  A methodology of working with embodied sound and movement as an approach to creating open score pieces.

  By Solomiya Moroz
• PEER article28.06.2019

  The audio paper

  
  The current practice of the new format of the audio paper as well as its brief history.

  By Sanne Krogh Groth & Kristine Samson

• PEER article15.11.2017

  Turntable materialities

  
  This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.

  By Mark Harris
• PEER article15.11.2017

  Tears, fears and flashes

  
  Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.

  By Ido Govrin
• PEER article15.11.2017

  The im/mediate noise

  
  This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.

  By Kevin Day

• PEER article15.11.2017

  Beyond matter: object-disoriented sound art 

  
  Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.

  By Budhaditya Chattopadhyay
• PEER article30.08.2016

  Idiosyncrasy as Method

  
  Holger Schulze’s keynote presentation asking for individual idiosyncrasies as parts of research methodologies.

  By Holger Schulze
• PEER article30.08.2016

  Audio Papers – a manifesto

  
  A germinal manifesto for the audio paper.

  By Sanne Krogh Groth & Kristine Samson