PEER article02.06.2022
Sensory concert
Disorientation as tactic towards a non-gendered pop-stage
PerspectivePEER Article
what we immerse ourselves in
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PEER article02.06.2022
Exhibiting the unheard(-of)
Women composers and the inadequate representation in historical canons and museum exhibitions. -
PEER article02.06.2022
Gender matters
Inclusion and exclusion of gendered artefacts, bodies and things in the spaces of P3´s music production. -
PEER article06.04.2021
Seismograms of a musical work
An investigation of pianists’ independence from the score by comparing their tempo through graphs.
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PEER article26.06.2020
Beyond the media reveal
If we sought to go beyond the media reveal, what new practices of knowledge should emerge? -
PEER article26.06.2020
Sounding new materialism
How does a sonic artist come to terms with the global effects of the tools of her trade? -
PEER article26.06.2020
The composer as curator
How John Cage deconstructed the governed gallery experience and formed a new field of research.
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PEER article26.06.2020
Confronting embodied knowledge
A methodology of working with embodied sound and movement as an approach to creating open score pieces. -
PEER article28.06.2019
The audio paper
The current practice of the new format of the audio paper as well as its brief history. -
PEER article15.11.2017
Diagram for invisibility
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.