This audio paper considers how human activity as a possible vehicle of interference serves as a resistance agent against the speculated becoming-generic of alert sounds in public and private spaces.
This audio paper investigates the private and public ways in which we encounter or engage with sounds, questioning the particularity of sound events as they enter our acoustic boundaries.
It is through knowledge of the art-form and skilful weaving of networks of symbols, that creatives can dictate the terms of storytelling and thus exert their power over the audience.
This audio paper narrates through the experiences and ambiences of Russian aggression to which Ukrainians relate a long history of Russia’s imperial statehood.