PEER audio paper15.11.2017
Listening and not listening to voices
Interrogating the prejudicial foundations of the sound arts canon
Perspektiv
Det, vi fordyber os i
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PEER audio paper15.11.2017
How to (re) do(o) things with sounds
In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means. -
PEER article15.11.2017
Diagram for invisibility
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard. -
PEER audio paper15.11.2017
Origo
This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.
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kritik13.11.2017
12 timer på G((o))ng Tomorrow
Jakob Gustav Winckler anmelder live-installationen ‘Time is Local’ af Jacob Kirkegaard og WeLikeWe, åbningen af udstillingen ‘Awake’ af Mette Rasmussen og opførelsen af europapremieren på Keiji Hainos værk ‘Miracle’. 4/11 G((o))ng Tomorrow Festival. -
reportage01.11.2017
Det handler stadig om at lege med lyd
Lasse D. Hansen rapporterer fra konferencen 'Young People, Composing and Contemporary Music' i London. -
reportage27.10.2017
Tågen over Oslo
Reportage fra Ultima Festival 2017 og interview med afgående festivalleder Lars Petter Hagen.
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kritik18.10.2017
Gå ikke over vejen, der kommer opera
Rikke Hansen Og Andreo Michaelo Mielczarek anmelder heldagsoperaen 'Operatic Mass Action', som var sat i scene af AUT til Aarhus 2017. -
interview18.10.2017
Agony – en spiseopera om vor tids brydninger
Lea Wierød Borčak interviewer komponisten Line Tjørnhøj. -
kritik11.10.2017
Robotter, systemer og den fri fantasi
Svend Hvidtfelt Nielsen anmelder Wayne Siegel: Celebration, Per Nørgård: Orgelbogen - Canon, Axel Borup-Jørgensen: Organ Music