• PEER article15.11.2017

  Tears, fears and flashes

  
  Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.

  Af Ido Govrin
• PEER article15.11.2017

  Turntable materialities

  
  This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.

  Af Mark Harris
• PEER audio paper15.11.2017

  Collisions

  
  Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.

  Af Kwame Phillips & Debra Spitulnik Vidali

• PEER audio paper15.11.2017

  How to (re) do(o) things with sounds

  
  In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.

  Af Kevin Logan
• PEER article15.11.2017

  Diagram for invisibility 

  
  The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.

  Af Rune Søchting
• PEER audio paper15.11.2017

  Origo 

  
  This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.

  Af Morten Søndergaard

• kritik13.11.2017

  12 timer på G((o))ng Tomorrow

  
  Jakob Gustav Winckler anmelder live-installationen ‘Time is Local’ af Jacob Kirkegaard og WeLikeWe, åbningen af udstillingen ‘Awake’ af Mette Rasmussen og opførelsen af europapremieren på Keiji Hainos værk ‘Miracle’. 4/11 G((o))ng Tomorrow Festival.

  Af Jakob Gustav Winckler
• reportage01.11.2017

  Det handler stadig om at lege med lyd

  
  Lasse D. Hansen rapporterer fra konferencen 'Young People, Composing and Contemporary Music' i London.

  Af Lasse D. Hansen
• reportage27.10.2017

  Tågen over Oslo

  
  Reportage fra Ultima Festival 2017 og interview med afgående festivalleder Lars Petter Hagen.

  Af Jan Stricker