kortkritik08.02.2024
Bag ordene
Følelsesmæssigt potent og fyldt med behagelige, varme synthtoner, der minder mig om 70'ernes tyske Kosmische Musik.
Arkiv
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kortkritik06.02.2024
Skinner som kviksølv
Hans virtuose brug af rumklang og subtile elektroniske manipulation tilfører indspilningerne en overvældende detaljegrad.
PEER audio paper31.01.2024
Dynamics of power dynamics
It is through knowledge of the art-form and skilful weaving of networks of symbols, that creatives can dictate the terms of storytelling and thus exert their power over the audience.
playliste29.01.2024
Mit navn er Hanne Boel – vil du se min playliste?
For mig er musik en stadig påmindelse om, at der er så meget mere til livet end det, jeg lige her og nu tror – men det kræver, jeg opsøger og lytter.
kortkritik26.01.2024
Jazzmusiker går hybrid
Det er godt at eksperimentere og bryde genrerne op – det har vi brug for i øjeblikket.
playliste23.01.2024
Mit navn er Camilla Dayyani – vil du se min playliste?
Jeg er ikke religiøs, men med musikken kommer jeg i kontakt med noget spirituelt eller åndeligt, både som musiker og lytter.
playliste18.01.2024
My name is Charlotte Rowan – would you like to see my playlist?
»Music is the ultimate form of communication!«
interview16.01.2024
The Useless Hell
In the musical theater performance »Calls to this number are being diverted« Matthew Grouse puts the absurd working life of late modernity under the microscope.
interview16.01.2024
Det nytteløse helvede
I musikteaterforestillingen »Calls to this number are being diverted« sætter Matthew Grouse senmodernitetens absurde arbejdsliv under lup.
interview10.01.2024
Vil AI overtage kunstnernes arbejde?
AI er blevet mainstream – men hvad skal kunstnerne bruge AI til? Den banebrydende canadiske kunstner Erin Gee, som i årevis har arbejdet i det soniske felt mellem algoritmer og emotioner, har nogle svar.
PEER article06.01.2024
Sound as shield
The essay probes poetics and the politics of a life-affirming operation in which Ukrainians have been self-engaged to resist subjugation and assimilation under Russian colonialism.
playliste01.01.2024
Mit navn er Bill Frisell – vil du se min playliste?
Jeg kan godt lide, når det er umuligt at se i starten, om noget er sort eller hvidt, eller country eller blues, eller whatever
playliste21.12.2023
My name is Teitur – would you like to see my playlist?
Teitur (Tie-tor), left his homeland, the remote, beautiful, wild and weather beaten Faroe Islands in the far North Atlantic as a teenager.
kortkritik16.12.2023
Orgel, ynde og bad ass-minimalisme
»I Koncertkirken på Nørrebro er december blevet en helt særlig slags fest med orglet som hovedperson.«
playliste15.12.2023
My name is Pernille Andersen – would you like to see my playlist?
The duo’s name GlassEar refers to their many years of communication in a digital time: Glass (screen) / Ear (phone).
kommentar15.12.2023
Det blev de elektroniske komponisters år
Bag de bedste udgivelser i 2023 stod som regel en elektronisk komponist. I hvert fald hvis man spørger mig, og det gjorde Seismograf i år.
kortkritik15.12.2023
Orglet er lydkunstens kreative motor
»De unge lydkunstnere får i disse dage meget mere klangfølsomhed frem med deres hjemmebyggede orgler i Koncertkirken, end mange musikere kan producere med en klavertangent.«
PEER audio paper11.12.2023
To whom it may speak
This audio paper narrates through the experiences and ambiences of Russian aggression to which Ukrainians relate a long history of Russia’s imperial statehood.
PEER article11.12.2023
Democratic noise
Democratic conversation and collectively improvised music have such pronounced similarities that improvisations can be discussed in terms of their democratic potentiality.
PEER audio paper11.12.2023
The limitations of sonic offer
The sound of the slogans at the demonstrations touches the body, it is impossible to hide from. The vulnerability revealed through this touch creates immediate affective responses pointing at the limitations of sonic support and solidarization.
PEER article11.12.2023
The human body as a space defining element of sound art
This article researches the role of the Human body in the production of sound art in the exhibition space. It focuses on the spatial path between body and sound in the exhibition space of sound art.
PEER audio paper11.12.2023
Cochlear implantation surgery
Operating rooms are typically noise filled environments, where polyrhythms and polyphonics of human and non-human sounds collide. In this paper the operating room soundscape is used for relational ethnographic exploration, framed in critical affect theory, and brings together insights from medical sociology and sound studies.
PEER audio paper11.12.2023
Fear of weakness
In the audio-paper »Fear of Weakness: Songs to Agitate the Man«, artist Morten Poulsen builds on his project »Boys Will Be…« (2022), in which he met with young cis-men to have conversations about vulnerability, intimacy and masculine norms
PEER audio paper11.12.2023
The second sound of integrity
Following Ruiz and Vourloumis, this audio paper performance sounds a formless formation, exploring integrity and wholeness among Black and Indigenous collectives that organize via radical forms of togetherness outside state-sponsored institution
PEER audio paper11.12.2023
More than background
This audio paper explores the »acoustic territory« (Labelle, 2010) of Peckham Rye Lane through my sonic journey as a Peckham resident, practitioner, and researcher.