Glerups gennemsigtige implosion
Henrik Friis anmelder uropførelsen af den danske komponist Rune Glerups symfoniske værk 'Symfoni'.
Use " " to search for an exact phrase. Use AND, OR, and NOT (in caps) to refine your search.
Henrik Friis anmelder uropførelsen af den danske komponist Rune Glerups symfoniske værk 'Symfoni'.
Portrætinterview med den danske komponist Niels Lyhne Løkkegaard, komponist på SOUND X SOUND.
Michael Rebhahn anmelder Nordiske Musikdage 2016, der rummede næsten alt.
Bent Sørensen was the resident composer at Trondheim Chamber Music Festival 2016. Andrew Mellor writes from Norway.
Tobias Linnemanne Ewé anmelder tre udgivelser fra samtidige danske lydkunstnere: Gry Bagøien, Lars Lundehave Hansen og Jonas Olesen & Rune Søchting.
Line Tjørnhøj and Allan Gravgaard Madsen of the AUT board tell Andreo Michaelo Mielczarek about their views on the future of the association after a time of large-scale projects.
Digitalization was influential on AUT coming into the new millennium. Hjarne Fessel on a paradoxical atmosphere of openness and seclusion.
AUT was trying to find its own identity compared to NUMUS and the conservatory. Hjarne Fessel remembers the period as a time with a strong faith in the future.
Erling Kullberg on the first ten years of AUT, a time when the Danish scene for new music was noticeably decentralized – not least due to some assiduous musicians.
Martin Stauning debuterer som komponist fra DKDM den 5. oktober, og i den anledning interviewer Peter Bruun sin unge kollega.
Forestillingen om en nordisk musik lever videre i kunsten. Nikolaj Strands anmelder Sunleif Rasmussens 2. symfoni, 'The Earth Anew'.
Operaen THE END byder på 3D animation, surround sound, elektronisk glitch og syntetiske stemmer i en kompromisløs virtuel forestilling med det japanske popikon, Hatsune Miku, i hovedrollen. Stina Hasse så opførelsen under Aarhus Festuge, og snakkede med komponisten bag, Keiichiro Shibuya.
Christian Møller Blæhr har besøgt Deep∞Minimalism festivalen i London, hvorfra han rapporterer og præsenterer et væld af interessante komponister: Éliane Radigue, Pauline Oliveros, Daphne Oram, Laurie Spiegel og flere andre.
An audio paper combining soundscapes from Norwegian mountains with a Danish urban, post-industrial waterfront.
An exploration of new forms of labour facilitated by new and old infrastructure, expanding notions of place and work itself.
An audio paper based upon Andreas Führer's soundwalk 'The Map is Not The Territory D’Or'.
A speculative audio paper about the past of 2055 assessing site-specific found objects coming from a near-future.
The radio studio is acoustically designed to be inaudible, but is yet ever-present as a prerequisite for voices and situations.
A discussion of Werder’s 2005 (1) in relation to Werder’s own oeuvre and to the work of John Cage’s.
An audio paper that explores songs as temporal and affective phenomena.
An engagement with the sonic landscape by recording and listening in movement.
Holger Schulze’s keynote presentation asking for individual idiosyncrasies as parts of research methodologies.
A germinal manifesto for the audio paper.
Andreas Engström with a review of this year's Young Nordic Music Days in Aarhus, Denmark.
Andreas Engström anmelder årets udgave af Ung Nordisk Musik, der blev afholdt i Århus.