interview06.08.2021
All Tomorrow's Music
One of Europe’s oldest contemporary music festivals comes to Aarhus. We profile Ung Nordisk Musik, which is as ageless as Madonna and contains Icelandic vulgarities from 1612.
Archive
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comment19.04.2021
Sublime ghosts and capricious categories
To reach its potential music criticism needs to go beyond opinion. Macon Holt suggests the critic must grapple with the ethics and politics of the music.
PEER audio paper06.04.2021
The generation of a [multi’vocal] voice
Synthetic voice creation as the promotion of diversity.
PEER audio paper06.04.2021
Soundscapes as archives
Postcolonial reflections through soundwalk production.
PEER audio paper06.04.2021
Towards an ethics of listening
Editing and listening to field recordings as methods in postcolonial history writing.
PEER audio paper06.04.2021
History as composition
Decolonization and the creation of dialogical narratives.
PEER audio paper06.04.2021
A fundamental mode of being in the world
Collaborative improvisation as a creative point of departure for studio production.
PEER audio paper06.04.2021
Play always as if in the presence of a master
Critical examination of piano music through a psychological understanding of the act of performing.
PEER article06.04.2021
Seismograms of a musical work
An investigation of pianists’ independence from the score by comparing their tempo through graphs.
PEER audio paper06.04.2021
Lost in interpretation
Exploring the master-apprentice relationship through artistic research methodologies and the staging of a Hörspiel.
PEER audio paper06.04.2021
Fleshy listening and multi-entity performance
Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’.
PEER article06.04.2021
A chip off the old Block?
Historically-informed recording research exploring the work of the amateur recording pioneer Julius Block.
PEER audio paper06.04.2021
Stewardship to obsolescence and preservation
On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.
PEER audio paper06.04.2021
Leaky knowledge
Reflecting the practice of the medical technique for listening with a stethoscope.
interview08.03.2021
‘We don’t have the same aspirations at all’
Guitarist Mikkel Schou prefers the brand-new music composed today; his upcoming Debut Concert is a ‘thanks, but no thanks’ to institutional forces of habit.
review08.12.2020
Beyond the ASMR phenomenon
At the Academy for Open Listening, Sofie Birch and My Lambertsen set out a new direction for the ASMR genre.
essay23.11.2020
A song of one’s own
American composer Caroline Shaw drew criticism because she profited on Inuit throat singing, according to singer Tanya Tagaq.
review26.10.2020
One man, one mission
Mathias Monrad Møller showed us an exciting creative vision at his official debut concert as singer and composer – a vision overshadowing dull questions of mere skill.
PEER article26.06.2020
Beyond the media reveal
If we sought to go beyond the media reveal, what new practices of knowledge should emerge?
PEER article26.06.2020
Sounding new materialism
How does a sonic artist come to terms with the global effects of the tools of her trade?
PEER article26.06.2020
The composer as curator
How John Cage deconstructed the governed gallery experience and formed a new field of research.
PEER article26.06.2020
The institutional situation of so-called sound art
A curatorial reading of Bruce Nauman’s sound installation “Für Kinder” calling for a post-medium approach to sound art.
PEER article26.06.2020
Confronting embodied knowledge
A methodology of working with embodied sound and movement as an approach to creating open score pieces.
reportage26.06.2020
Keynotes on sound art, media art, and sonic materialism
Video recordings of five RE:SOUND keynotes as well as a panel discussion on sound art curation.
audio paper18.06.2020
The silence of the fans
How can a crowd of football fans use sound to protest a profit-oriented football machinery? By staying completely silent, apparently.