PEER audio paper18.12.2019
A fuchsia-coloured awning
How to structure a composition in real-time.
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PEER audio paper18.12.2019
Psycho-sonic cartography
Creating the imaginary city through electronic and electroacoustic music in word and sound.
PEER audio paper18.12.2019
Invisible sounds in a nested ecological space
A site-specific day-long installation/performance in the Gothenburg harbour.
PEER audio paper18.12.2019
H e (a) r
Of an ecological enactive perspective.
PEER audio paper18.12.2019
Found in translation
The process of making a piece for voice, Vietnamese zither đàn tranh, and electronics.
PEER audio paper18.12.2019
Mundania
Just above the noise floor.
PEER audio paper18.12.2019
Production of sound, production of knowledge
Central Africa, Central Europe, global networks.
PEER audio paper18.12.2019
Listening beyond radio, listening beyond history
A proposal for alternative radio histories.
PEER audio paper18.12.2019
Sound puppet
A pen friendship between East and West.
PEER audio paper18.12.2019
Revealing the Genius Loci through sound
The walser hamlet of San Gottardo.
review04.12.2019
Chaos reigns
Madness and humour coexisted on stage as Marcela Lucatelli completed her composition studies in Copenhagen.
review27.11.2019
Future on repeat
For a festival that prides itself on its all-premieres programming, the 2019 Donaueschinger Musiktage felt more than a little stale.
review07.10.2019
The impossible festival
The Young Nordic Music festival, one of the most impossible festivals in the world, is also one of the most enlightening ones.
interview16.09.2019
‘The hardest thing is to trust your material’
Daníel Bjarnason’s new piece requires no less than three conductors. A result of the omnipresent Reykjavik school?
PEER article28.06.2019
The audio paper
The current practice of the new format of the audio paper as well as its brief history.
Field recording28.06.2019
The all-inclusive soundscape
On the sound in three resorts in Egypt, Tunisia and Turkey.
Sound collage28.06.2019
Voicing up
How women artists of colour working in electronic music in Berlin practice empowerment, survival and resistance.
Field recording28.06.2019
Tuesday, 7 Feb. 2017, 11:12 p.m., Admiralty, Hong Kong Island
Field recordings from explorations of Hong Kong.
audio paper28.06.2019
Only dogs walk as if they knew where they’re going
Retracing an audio walk to the empty city centre of Braunschweig, Germany.
Sound collage28.06.2019
Vogelsang
A contemplation into an abandoned Soviet military base 60 kilometres north of Berlin that once housed nuclear weapons.
interview03.06.2019
‘I really wanted to write a pop love song’
Polish composer Marta Śniady is set to finish her studies at the Royal Academy of Music in Aarhus. Recently, her works have embraced video and pop music.
interview03.04.2019
‘I need to believe it myself’
Ragnhild May works in a chameleon-like way. James Black takes her to yoga class in this final interview with young ‘composer/performers’.
interview25.02.2019
So, this is where it all ends
In Bára Gísladóttir’s view, the apocalypse is a given. James Black goes bowling with the captivatingly introvert, yet apocalyptic, Icelandic composer/performer.
interview09.01.2019
‘It’s almost like I can feel the whole world’
James Black goes climbing with Marcela Lucatelli in this first of three interviews with young composer/performers.
reportage27.12.2018
Deep in the Norwegian forest
Norwegian composer Knut Olaf Sunde radically challenged traditional concert practices with a 13-hour immersive performance.