PEER article15.11.2017
Turntable materialities
This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.
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PEER audio paper15.11.2017
Collisions
Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.
PEER audio paper15.11.2017
Listening and not listening to voices
This audio paper considers how new listenings might lead to a richer, more inclusive sound art, that can embrace and celebrate difference.
PEER audio paper15.11.2017
How to (re) do(o) things with sounds
In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.
PEER article15.11.2017
Diagram for invisibility
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.
PEER audio paper15.11.2017
Origo
This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.
PEER audio paper15.11.2017
The audibility of rebellion versus nationalism
Using sounds of political chanting from Turkey, the paper shows how political orientation changes the inflection of chant, reflecting its societal positioning and purpose.
essay09.11.2017
A sonic time capsule
'A Sonic Time Capsule – a small instruction manual explaining how to realize such a thing' by Andrea Zarza Canova.
review06.10.2017
Downfall – A journey to the underworld and back again
Andrew Mellor anmelder operaen 'Nedstigning: underverdenen tur-retur', Takkeloftet, 26.9.17 - Musik af Nicolai Worsaae, libretto af Julie Maj Jakobsen.
interview27.09.2017
Gender and social relations in New Music: Tackling the octopus
Juliana Hodkinson interviews anthropologist / cultural theorist Georgina Born on gender and other social relations in contemporary music.
reportage20.09.2017
Hoffnung 3000 – Experimenting with an Anonymous Community
Shanti Suki Osman visited the festival Hoffnung 3000, which took place in Berlin on 24th-26th August.
reportage03.09.2017
All the in-between spaces
Maya Shenfeld reports from this year's documenta 14.
review01.09.2017
Som brødre vi dele
Lea Maria Lucas Wierød Borcak anmelder og reflekterer over adaptionen af Susanne Biers berømte film 'Brødre' til operaformatet. 'Brødre' spillede i Musikhuset Aarhus fra 16.-22. august.
interview30.08.2017
Rum/Klang – et anarkistisk lydkunstgalleri
Jakob Gustav Winckler taler med Adam Veng fra Rum/Klang – lydkunstgalleriet i Jyderup.
reportage17.08.2017
Heroines of Sound
Maya Shenfeld reports from debates and concerts at this years Heroines of Sound, 7th-9th July, Radialsystem V, Berlin.
review14.08.2017
Reparatøren fortæller maskinmusikkens historie
Tobias Linnemann Ewé anmelder bogen 'Machine Music – A Media Archaeological Excavation' fra Aarhus University Press, skrevet af Post. Doc. Morten Riis.
review11.08.2017
Den sømand han må lide
Andreo Michaelo Mielczarek og Rikke Hansen anmelder Cristian Vogels iscenesættelse af det klassiske folkesagn Agnete og Havmanden på Åben Scene, Godsbanen, Aarhus.
review07.08.2017
Fremtiden retur
Tobias Linnemann Ewé anmelder Robert Barrys bog 'The Music of the Future'.
reportage14.06.2017
Den dag lydkunsten kom til Struer
Jakob Gustav Winckler har i åbningsweekenden besøgt festivalen og udstillingen Struer Tracks.
review12.06.2017
Camille Norment – Drawing and Sculpture
Andreas Engström anmelder den norske lydkunstner Camille Norments udstilling 'Drawing and Sculpture' på Oslo Kunstforening 04.05-25.06.2017
review08.06.2017
Klang Festival 2017
Søren Møller Sørensen anmelder to aftner på årets Klang Festival, henholdsvis fra åbningsaftenen på Folketeatret og i Koncertkirken med det britiske Plus-Minus Ensemble.
review06.06.2017
Klang i Tivoli
Andrew Mellor reviews Athelas Sinfonietta, Aavaat Koret/Pierre-André Valade in Tivoli with works by György Ligeti, Niels Rønsholdt, James Black and Per Nørgård.
essay31.05.2017
Just spoke: Composing with objects, performing with subjects
A private reflexion on the proces of grief and mourning in relation to composing.
reportage24.05.2017
Eavesdropping on ourselves
Andrew Mellor anmelder årets SPOR Festival i Aarhus, hvor årets tema var epiphany.
interview17.05.2017
Om porcelæn, templer og nysgerrighed
Sif Hellerup Madsen har mødt den udstillingsaktuelle kunstner Ursula Nistrup til en snak om hendes værk, om lyden af porcelæn, om nysgerrighed og om kontinuerligt at udfordre sig selv i jagten på at forstå verden.