Perspectives on sounding women’s work

Introduction to articles and themes in Sounding Women's Work I and Sounding Women's Work II.

By Kristine Ringsager, Stina Hasse Jørgensen

PEER audio paper02.06.2022

Intervals

An audio paper based on the story of women working and weaving hemp burial garment sambe in South Korea.

By Yujin Jung

PEER article02.06.2022

Exhibiting the unheard(-of)

Women composers and the inadequate representation in historical canons and museum exhibitions.

By Thomas Husted Kirkegaard

PEER article02.06.2022

Gender matters

Inclusion and exclusion of gendered artefacts, bodies and things in the spaces of P3´s music production.

By Katrine Wallevik

essay19.04.2022

During War, We Become All Ears

About the sounds of war – and the resounding silence that comes with it.

By Lyubov Morozova

interview09.03.2022

Three Artists. One Hope

Three snapshots from three different lives: Kateryna Zavoloka, Katarina Gryvul and Boris Filanovsky. All work with music, their countries are at war, and they condemn Russia's invasion of Ukraine. They have not met each other and the article consists of three unique interviews with Seismograf. None of them see themselves as political artists, but they do believe that it is a human duty to speak out and fight back when the leader of one's homeland orders war against the other two's homelands.

By Julie Hugsted

essay20.02.2022

My Body Is

Sounding Women’s Work | She composes and performs across artistic genres – as JOMI, Jomi Massage and in the band Speaker Bite Me. The experimental artist, vocalist, guitarist, pianist and writer Signe Høirup Wille-Jørgensen has for years taken part in the debates of her time. Here is a long poem about gender and yes, no, maybe.

By Signe Høirup Wille-Jørgensen

essay10.02.2022

On stage we are four bodies

Sounding Women's Work | Meshes is a performance groupe with drummers and dancers. They work with the relation between body and sound and investigates how the movement of the body can be translated into a score for a drum set, and how the sound of a drum set can be translated into a score for movement.

By Meshes

essay10.02.2022

»Had I run around with the others, would I have become a composer at all?«

Sounding Women's Work | Mette Nielsen is occupied finding ways to create space for the small and fragile sounds in the music. She works with both completely traditional scores and more open notations and easy staging of sound.

By Mette Nielsen

essay10.02.2022

Gender, climate and class

Sounding Women's Work | Artist couple Ragnhild May and Kristoffer Raasted conceive their common practices flexibly – it is of importance to them that well-established individual practices provide the starting point for the collaborative endeavor.

By Ragnhild May & Kristoffer Raasted

essay10.02.2022

Maybe Just Music

Sounding Women's Work – AUDIO ESSAY | »We find it problematic to articulate the feminist elements in our work directly,« say Sara Willemoes Thomsen and Kim Sandra Rask from the band Måske bare musik (Maybe Just Music), who make sound drawings with kids instruments and tools.

By Måske bare musik

essay10.02.2022

»What do you mean when you say feminine?«

Sounding Women's Work | »The terms feminine and masculine are used as if we all understand what they represent,« says Anja Jacobsen from the band Selvhenter and member of rehearsal place Mayhem.

By Anja Jacobsen

essay10.02.2022

Hopefully We Take a Risk

Sounding Women's Work | Everything is entangled – freedom and discipline, conscious and unconscious. For Lotte Anker walking in to the tones a fascinating learning process, and it's necessary to step into the unknown.

By Lotte Anker

essay10.02.2022

Resonance and personality

Sounding Women's Work | »For the last thousands of years, it has been difficult to see or hear women. I hope that will change in the next many thousands of years to come, so that there is room for both men and women - and all other definitions of gender,« says Danish-American composer Lil Lacy.

By Lil Lacy

essay10.02.2022

From the outside and inside

Sounding Women's Work | »It's not a choice whether I want to relate to my gender and my body in my work – the outside world has decided that it is a theme,« says British-Danish Juliana Hodkinson, who does not have much of a romantic approach to composing and accepts the truth of the sketch.

By Juliana Hodkinson

essay10.02.2022

Cyborg mother voices and expanded notions of care

Sounding Women's Work – AUDIO ESSAY | Nanna Lysholt Hansen reflects on her live performance »Dear Daughter/Sen_sing_inannainanna (Russ, Shiva, Klein)« using her voice to perform mothering towards strangers on a bus while sharing, by mantra singing, eco-feminist thought on the necessity of caring for others in times of planetary crisis.

By Nanna Lysholt Hansen

essay10.02.2022

»Go with the spontaneous ideas«

Sounding Women's Work | DEAP – Aske Zidore & Pernille Zidore Nygaard – work in the cross field between gender, technologies and sound. The artist couple remember to challenge and push each other, so it is not only safe: »Go with the spontaneous ideas – also the children's!«

By DEAP

interview24.01.2022

»I want to examine sound's relationship with as much of the world as possible«

The sound of Freud’s toilet in Wienna, Andy Warhol in the supermarket, and the first pirated mp3 ever – Museum of Portable Sound collects and exhibits sound as cultural objects. And the sounds in the collections are only accessible from curator John Kannenberg’s iPhone 4S.

By Julie Hugsted

review11.12.2021

It is impressed in the body

After a long hiatus due to the covid-19 pandemic, Berlin Atonal has opened the gates of Kraftwerk to the public for the first time. As limitations to collective events endure, the new project Metabolic Rift includes, in addition to the live performances, an exhibition aiming to elicit individual experience with intense stimuli. The exposition presents a convincing curatorial approach to sound, exalting its sensorial qualities and proposing an inspiring model to work with the aural and its (im-)materiality in the context of art exhibitions.

By Giada Dalla Bontà

interview06.08.2021

All Tomorrow's Music

One of Europe’s oldest contemporary music festivals comes to Aarhus. We profile Ung Nordisk Musik, which is as ageless as Madonna and contains Icelandic vulgarities from 1612.

By James Black

comment19.04.2021

Sublime ghosts and capricious categories

To reach its potential music criticism needs to go beyond opinion. Macon Holt suggests the critic must grapple with the ethics and politics of the music.

By Macon Holt