Use " " to search for an exact phrase. Use AND, OR, and NOT (in caps) to refine your search.
Sounding Women's Work | She composes and performs across all genres in art – as JOMI, Jomi Massage and in the band Speaker Bite Me. For years the experimental artist, vocalist, guitarist, pianist and writer Signe Høirup Wille-Jørgensen has been active in debates of the time. Here is a long poem about gender and yes, no, maybe.
After a long hiatus due to the covid-19 pandemic, Berlin Atonal has opened the gates of Kraftwerk to the public for the first time. As limitations to collective events endure, the new project Metabolic Rift includes, in addition to the live performances, an exhibition aiming to elicit individual experience with intense stimuli. The exposition presents a convincing curatorial approach to sound, exalting its sensorial qualities and proposing an inspiring model to work with the aural and its (im-)materiality in the context of art exhibitions.
One of Europe’s oldest contemporary music festivals comes to Aarhus. We profile Ung Nordisk Musik, which is as ageless as Madonna and contains Icelandic vulgarities from 1612.
To reach its potential music criticism needs to go beyond opinion. Macon Holt suggests the critic must grapple with the ethics and politics of the music.
Synthetic voice creation as the promotion of diversity.
Postcolonial reflections through soundwalk production.
Editing and listening to field recordings as methods in postcolonial history writing.
Decolonization and the creation of dialogical narratives.
Collaborative improvisation as a creative point of departure for studio production.
Critical examination of piano music through a psychological understanding of the act of performing.
An investigation of pianists’ independence from the score by comparing their tempo through graphs.
Exploring the master-apprentice relationship through artistic research methodologies and the staging of a Hörspiel.
Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’.
Historically-informed recording research exploring the work of the amateur recording pioneer Julius Block.
On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.
Reflecting the practice of the medical technique for listening with a stethoscope.
Guitarist Mikkel Schou prefers the brand-new music composed today; his upcoming Debut Concert is a ‘thanks, but no thanks’ to institutional forces of habit.
At the Academy for Open Listening, Sofie Birch and My Lambertsen set out a new direction for the ASMR genre.
American composer Caroline Shaw drew criticism because she profited on Inuit throat singing, according to singer Tanya Tagaq.
Mathias Monrad Møller showed us an exciting creative vision at his official debut concert as singer and composer – a vision overshadowing dull questions of mere skill.
If we sought to go beyond the media reveal, what new practices of knowledge should emerge?
How does a sonic artist come to terms with the global effects of the tools of her trade?
How John Cage deconstructed the governed gallery experience and formed a new field of research.
A curatorial reading of Bruce Nauman’s sound installation “Für Kinder” calling for a post-medium approach to sound art.
A methodology of working with embodied sound and movement as an approach to creating open score pieces.