in briefrelease
04.07.2025

When Machines Dream: The Electronic Poetry of Oh No Noh

Oh No Noh: »As Late As Possible«
© Nikolas Fabian Kammerer
© Nikolas Fabian Kammerer

There’s something distinctly mechanical about Oh No Noh’s album As Late As Possible. Like a warped, crumpled tape, melodies bubble to the surface, and the offbeat rhythms repeat with the halting tempo of a scratched LP. It’s easy to place Oh No Noh within the esteemed German tradition of blurring the lines between human and machine, but on As Late As Possible, the machine sounds more like a distant relative than a deliberate artistic objective.

Behind Oh No Noh is Leipzig-based guitarist Markus Rom. In addition to a wealth of synthesizers and tape loops, the album’s 11 tracks are performed using guitar, drums, banjo, clarinet, and organ. The absence of vocals sets the album in a subdued, cinematic mood, and the music feels like a nostalgic inner monologue, told with a warm affection for the melancholy of outdated technologies.

Although mechanical sensibilities are prominent throughout the album, several tracks are driven by more melodic band arrangements. But to me, As Late As Possible is clearly most compelling on the less melodic pieces. The crooked and noisy »Fawn« or the hesitant closing track »Ore« are moments where the dialogue with the machine elevates the music in ways that the more melodic, band-oriented pieces don’t quite reach. These are places where the machines sigh nostalgically and form small, imperfect thought bubbles that cut off and restart again.

English translation: Andreo Michaelo Mielczarek

© Paw Ager

»For me, music is about curiosity and surprises – yet it’s also something in which you can feel right at home. Music resides within us all, in a physical way that sets it apart from any other art form. To me, music is something greater than the individual – something that will always outlive the individual. The good stuff, in other words ;) « 

Kaspar Kaae is an award-winning film composer, music producer, and songwriter, known for his work with bands such as CODY and Bug Chaser. He holds a Master’s degree in film composition from SDMK.  He has previously been a guitarist in a number of bands on the Danish indie scene, such as CODY, Broken Twin, and Bug Chaser. The latter is releasing the album My First Crippled Love in November. He was born in 1983 on Bornholm, but has lived in Copenhagen and Berlin throughout his adult life.

© PR

»Music is like a black hole that sucks you in and shoots you out on the other side of the universe.«

Francesco Rista is a guitarist working across classical and electric guitar. His recordings have been reviewed by international music magazines and broadcast on BBC and RAI Radio 3. After studying at the Royal Danish Academy of Music and Lund University, he focused on studio recordings, exploring guitar repertoire from the Baroque and Romantic periods to contemporary music, as well as the instrument’s varied tonal possibilities. Rista is currently based in Iceland, where he teaches guitar, composes music, and collaborates with contemporary composers.

 

© Villads Hoffmann
© Villads Hoffmann

Percussionist and composer David Hildebrandt is honoured for his virtuosic work with new music and his efforts to push the boundaries of what rhythm can be.

David Hildebrandt is among the recipients of this year’s honorary awards from the Wilhelm Hansen Foundation. He receives DKK 200,000 in recognition of his uncompromising work with new music and multi-percussion, as well as his ability to challenge conventional ideas about rhythm.

© Thor Brødreskift
© Thor Brødreskift
The 2026 Nordic Council Music Prize goes to Norwegian composers Kristine Tjøgersen and Benedicte Maurseth for Elja, a suite for the Kronos Quartet and Hardanger fiddle.
 
Rationale
© Carsten Seidel

»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«

Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.