Love and Poetry under Black Streetlights
»'Dråberne 5, 7, 8, and 11' is a seductive, inspiring, and downright sumptuous experiment in which the love between the two artists can be felt in every tone.«
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»'Dråberne 5, 7, 8, and 11' is a seductive, inspiring, and downright sumptuous experiment in which the love between the two artists can be felt in every tone.«
At Warsaw Autumn, they are not only focused on sounds. The Polish festival aims to influence reality with new names and ideas.
»Nigma Enigma« will speak to those who can relate to the spiritual and philosophical questions Miniawy raises.
The somewhat mixed experience of the evening’s program does not change the fact that Organ Sound Art Festival is an atmospheric, ambitious festival that dares to take risks.
»Liebe« is one of those performances one feels grateful to have experienced.
Chaotic times call for chaotic music. But also soft techno, flutists and yoga balls. Jennifer Gersten and Andreo Michaelo Mielczarek wrap up the musical year in a conversation between New York and Aarhus.
»For me music is meditative chaos.«
Was it just for fun that the world's oldest festival for Nordic contemporary music traveled to Scotland? No, it was an educational journey.
Was it just for fun that the world's oldest festival for Nordic contemporary music traveled to Scotland? No, it was an educational journey.
A questioning of the very idea of ‘generic sound’ in the face of the ever growing datafication of the mundane.
Informed by DJ practice and practice-led research, this audio paper shares historical examples of locked grooves alongside loop-based compositions and a new installation work.
This audio paper considers how human activity as a possible vehicle of interference serves as a resistance agent against the speculated becoming-generic of alert sounds in public and private spaces.
This audio paper is a provocation in response to the political provocation of generic aural gentrification.
This audio paper investigates the private and public ways in which we encounter or engage with sounds, questioning the particularity of sound events as they enter our acoustic boundaries.
An audio paper on the historical scold’s bridle: a Late Middle Ages' torture instrument used by European men to silence European women and enslaved Africans.
This audio paper explores choric settings of generic voices as a vehicle for contemplating and deconstructing concepts of Being and subjectivity.
Reflections on an isolated generic sound and how it operates on an affective spectrum from the banal to the horrifyingly significant.
War, refugees, and destruction are inescapable at the Venice Biennale. You can feel it, see it, hear it – it's all-encompassing. Has Venice ever been this filled with sound?
War, refugees, and destruction are inescapable at the Venice Biennale. You can feel it, see it, hear it – it's all-encompassing. Has Venice ever been this filled with sound?
I can’t say what music is but I can say what music does: it is an experience, it travels through all my bodily senses, it brings energy.
»'Myriads' is better – more enriching – than any club in Aarhus’ Latin Quarter.«
The audiovisual festival Sonica shakes up the senses with sick robots, bagpipes and electronica for the future.
For me, music is all that vibrates.
I was left with a somewhat flat feeling. The piece also ended so quietly that several people were unsure whether it had actually finished and whether we could applaud.
»And that is how it sounded. Cold. Like the saddest Instagram filter imaginable – with sound.«