in brieflive
08.12.2024

The Perfect Conception of Perfect Love

toaspern-moeller: »Liebe«
© Kirsten Nijhof
© Kirsten Nijhof

Liebe is a performance in which everythingcomes together in a higher unity in a way one only rarely encounters. Even the ripples in the stage carpet, created by the performers’ imprints, are tender and electric to behold. The music is sparse and austere, like modernized Renaissance vocal music, while the dance is rooted in the traditional and is just as restrained and measured.

The two performers, Alma Toaspern and Mathias Monrad Møller – who also serve respectively as choreographer and composer – sing and dance alone on stage, while excerpts from the French writer Annie Ernaux’s recollections of an all-consuming infatuation and the desire for »perfect love« are projected onto the backdrop.

If I were to describe Liebe in a single word, it would be contrapuntal – a strict way of writing music with particular attention to how melodies in polyphony affect one another. It is astonishing how this otherwise old idea has been revitalized so convincingly. The material is carefully selected and thoroughly worked through – the music, scenography, lighting, and costumes felt like both the softest surprise and the most natural inevitability.

Møller’s and Toaspern’s meticulous synchronization, with no support beyond each other, is equally astonishing. The duo’s rigorous compositional strategy and uncompromising choreography are more than mere tools in a toolbox. They are part of an investigation of the erotic and the amorous: to be subjected, examined, and desired. Liebe is one of those performances one feels grateful to have experienced.

© Paw Ager

»For me, music is about curiosity and surprises – yet it’s also something in which you can feel right at home. Music resides within us all, in a physical way that sets it apart from any other art form. To me, music is something greater than the individual – something that will always outlive the individual. The good stuff, in other words ;) « 

Kaspar Kaae is an award-winning film composer, music producer, and songwriter, known for his work with bands such as CODY and Bug Chaser. He holds a Master’s degree in film composition from SDMK.  He has previously been a guitarist in a number of bands on the Danish indie scene, such as CODY, Broken Twin, and Bug Chaser. The latter is releasing the album My First Crippled Love in November. He was born in 1983 on Bornholm, but has lived in Copenhagen and Berlin throughout his adult life.

© PR

»Music is like a black hole that sucks you in and shoots you out on the other side of the universe.«

Francesco Rista is a guitarist working across classical and electric guitar. His recordings have been reviewed by international music magazines and broadcast on BBC and RAI Radio 3. After studying at the Royal Danish Academy of Music and Lund University, he focused on studio recordings, exploring guitar repertoire from the Baroque and Romantic periods to contemporary music, as well as the instrument’s varied tonal possibilities. Rista is currently based in Iceland, where he teaches guitar, composes music, and collaborates with contemporary composers.

 

© Villads Hoffmann
© Villads Hoffmann

Percussionist and composer David Hildebrandt is honoured for his virtuosic work with new music and his efforts to push the boundaries of what rhythm can be.

David Hildebrandt is among the recipients of this year’s honorary awards from the Wilhelm Hansen Foundation. He receives DKK 200,000 in recognition of his uncompromising work with new music and multi-percussion, as well as his ability to challenge conventional ideas about rhythm.

© Thor Brødreskift
© Thor Brødreskift
The 2026 Nordic Council Music Prize goes to Norwegian composers Kristine Tjøgersen and Benedicte Maurseth for Elja, a suite for the Kronos Quartet and Hardanger fiddle.
 
Rationale
© Carsten Seidel

»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«

Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.