All Life Has the Right to Live
»Kirstine Fogh Vindelev’s discreet soundscape for the power performance Animal provides much-needed breathing room in Alexandra Moltke Johansen’s dense text.«
Use " " to search for an exact phrase. Use AND, OR, and NOT (in caps) to refine your search.
»Kirstine Fogh Vindelev’s discreet soundscape for the power performance Animal provides much-needed breathing room in Alexandra Moltke Johansen’s dense text.«
Gently lapping, quiveringly simple, and almost self-effacingly discreet.
»Phantom Orchestra« is a dazzling, slightly mad experiment, driven by a will to create harmony in chaos.
»ELECTRIO aim to renew 'Stabat Mater' with guitar, electronics and baroque threads, but the result is too neat, too familiar, and far too painless.«
It’s a fascinating project, but what about the music? It’s a mixed experience.
Although »From Grimsby to Milan« contains a wealth of fine detail, the journey – from Grimsby in Canada to Milan in Ohio – ultimately feels long and monotonous.
Marie Koldkjær Højlund uses art, disgust, and everyday ruptures as resistance to habits, crises, and our urge to understand everything.
Music is all of life in sound.
Four Scandinavian musicians and a Canadian banjo amateur/karate instructor cross the American South to find out whether they can become a band – somewhere between Schubert, country, and doubt.
The Taiwanese-Danish percussionist Ying-Hsueh Chen explores the world’s smallest sounds – from red deer bones to roof tiles – in her pursuit of a music that is both ancient, courageous, and radically simple.
Women opera composers of the past have returned for good. But how do we break the closed circuit of opera history?
Music occupies most of my waking hours. It is a condition that began to grow when I was a teenager.
A dialogue on listening, loss and resonance across Poland, Germany, UK and Denmark.
It has become a cherished December tradition that Koncertkirken opens its doors to curious explorations of the nature of the organ when the Organ Sound Art Festival moves in. This year the festival could celebrate its 10th anniversary, and the fascination with the organ’s many paradoxes remains intact.
»'Where to From' is a powerfully mood-saturated work that moves effortlessly between chamber music and neoclassicism.«
From cyborg kinships and alchemical wonder to masculine fragility and Anthropocene ecstasy – MINU showed that art still holds space for vulnerability, ferocity and strange beauty.
»Varve« is an album for those who prefer listening experiences at an unhurried pace; for those who find Hans Zimmer too grandiose.
Music for me is the purest transformation of any energy hiding inside.
Swedish artist Anna von Hausswolff transformed the organ’s sacred resonances into modern, pulsating stage music.
Music, to me, is … the silence that gropes – like yourself – across a black canvas.
»For me, music is a non-figurative process that cannot be definitively categorised.«
When I search for new music, I search for sound that evokes images in my mind. It is fuel, a gateway to emotion, and my most important writing companion. When inspiration lapses, music is the tool that always jumpstarts it.
Music, to me, is a companion through life, a premise, an excuse, a mystery, an explanation, a point of departure.
Charlottenborgs hyldest til Mika Vainio vil være en lydbiograf, men uden ordentlig volumen, mørke eller kontekst ender installationen som en oplevelse, man hurtigt glider ud af.
Current Resonance turned the idea of work inside out in an absurd, sweat-drenched performance that pulled the audience into a hard-pumped ritual of labour.