in brieflive
14.12.2024

The Dust Would Not Settle on the Organs

Organ Sound Art Festival: Mads Emil Dreyer, Gamut inc., Aron Dahl & Mija Milovic
© www.francoadams.com
© www.francoadams.com

These days, Organ Sound Art Festival is taking place in its familiar setting at KoncertKirken, and yesterday marked the festival’s second day. The concert opened with revivals of Mads Emil Dreyer’s Vidder 1 and 4, along with a newly composed interlude for pump organ, house organ, keys, and bass flute – all instruments amplified. In this way, Dreyer obscured the sources of the sounds and created a beautiful interplay between the acoustic, the amplified, and the played-back. Was it the flute or the organ I was hearing? And did the sound come from an instrument or a loudspeaker? The music bore the mark of drone music, with beautiful dissonances and a tonal development that occasionally peeked through. Enchanting and compelling.

In the next performance, the German duo Gamut inc. had fitted the church organ with two robots, allowing a computer to control the instrument. Unfortunately, I was left wondering whether the robots were properly calibrated, or whether the music had been composed for a church space with significantly more reverberation. In any case, it sounded »MIDI-dead« – a bit like a silly »piano roll« video of an obscure serial work.

The duo Aron Dahl & Mija Milovic concluded the evening with music whose tenderness and honesty might recall The xx – if the British indie rock group were playing on out-of-tune house organs. Still, the music became somewhat monotonous, and their setup appeared underutilized.

The slightly mixed experience of the evening’s program does not change the fact that Organ Sound Art Festival is an atmospheric and ambitious festival that dares to take chances when presenting us with new works for an instrument that many still associate with bygone days. This Copenhagen-based festival is anything but dusty.

© Paw Ager

»For me, music is about curiosity and surprises – yet it’s also something in which you can feel right at home. Music resides within us all, in a physical way that sets it apart from any other art form. To me, music is something greater than the individual – something that will always outlive the individual. The good stuff, in other words ;) « 

Kaspar Kaae is an award-winning film composer, music producer, and songwriter, known for his work with bands such as CODY and Bug Chaser. He holds a Master’s degree in film composition from SDMK.  He has previously been a guitarist in a number of bands on the Danish indie scene, such as CODY, Broken Twin, and Bug Chaser. The latter is releasing the album My First Crippled Love in November. He was born in 1983 on Bornholm, but has lived in Copenhagen and Berlin throughout his adult life.

© PR

»Music is like a black hole that sucks you in and shoots you out on the other side of the universe.«

Francesco Rista is a guitarist working across classical and electric guitar. His recordings have been reviewed by international music magazines and broadcast on BBC and RAI Radio 3. After studying at the Royal Danish Academy of Music and Lund University, he focused on studio recordings, exploring guitar repertoire from the Baroque and Romantic periods to contemporary music, as well as the instrument’s varied tonal possibilities. Rista is currently based in Iceland, where he teaches guitar, composes music, and collaborates with contemporary composers.

 

© Villads Hoffmann
© Villads Hoffmann

Percussionist and composer David Hildebrandt is honoured for his virtuosic work with new music and his efforts to push the boundaries of what rhythm can be.

David Hildebrandt is among the recipients of this year’s honorary awards from the Wilhelm Hansen Foundation. He receives DKK 200,000 in recognition of his uncompromising work with new music and multi-percussion, as well as his ability to challenge conventional ideas about rhythm.

© Thor Brødreskift
© Thor Brødreskift
The 2026 Nordic Council Music Prize goes to Norwegian composers Kristine Tjøgersen and Benedicte Maurseth for Elja, a suite for the Kronos Quartet and Hardanger fiddle.
 
Rationale
© Carsten Seidel

»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«

Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.