• PEER audio paper06.04.2021

  Towards an ethics of listening

  
  Editing and listening to field recordings as methods in postcolonial history writing.

  Af Carla J. Maier
• PEER audio paper06.04.2021

  History as composition

  
  Decolonization and the creation of dialogical narratives.

  Af Lene Asp & Mikkel Meyer
• PEER audio paper06.04.2021

  A fundamental mode of being in the world

  
  Collaborative improvisation as a creative point of departure for studio production.

  Af Ilya Ziblat

• PEER audio paper06.04.2021

  Lost in interpretation

  
  Exploring the master-apprentice relationship through artistic research methodologies and the staging of a Hörspiel.

  Af Ulf Friberg, Carl Holmgren & Stefan Östersjö
• PEER audio paper06.04.2021

  Fleshy listening and multi-entity performance

  
  Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’.

  Af Halla Steinunn Stefánsdóttir
• PEER audio paper06.04.2021

  Stewardship to obsolescence and preservation

  
  On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.

  Af Noé Cuéllar & Joseph Kramer

• PEER audio paper18.12.2019

  A fuchsia-coloured awning

  
  How to structure a composition in real-time.

  Af Magda Mayas
• PEER audio paper18.12.2019

  Psycho-sonic cartography

  
  Creating the imaginary city through electronic and electroacoustic music in word and sound.

  Af Katt Hernandez
• PEER audio paper18.12.2019

  Invisible sounds in a nested ecological space

  
  A site-specific day-long installation/performance in the Gothenburg harbour.

  Af Anders Hultqvist & Stefan Östersjö