• PEER audio paper06.04.2021

  History as composition

  
  Decolonization and the creation of dialogical narratives.

  By Lene Asp & Mikkel Meyer
• PEER audio paper06.04.2021

  A fundamental mode of being in the world

  
  Collaborative improvisation as a creative point of departure for studio production.

  By Ilya Ziblat
• PEER audio paper06.04.2021

  Play always as if in the presence of a master

  
  Critical examination of piano music through a psychological understanding of the act of performing.

  By Kent Olofsson & Francisca Skoogh

• PEER audio paper06.04.2021

  Fleshy listening and multi-entity performance

  
  Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’.

  By Halla Steinunn Stefánsdóttir
• PEER audio paper06.04.2021

  Stewardship to obsolescence and preservation

  
  On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.

  By Noé Cuéllar & Joseph Kramer
• PEER audio paper06.04.2021

  Leaky knowledge

  
  Reflecting the practice of the medical technique for listening with a stethoscope.

  By Salomé Voegelin & Mark Peter Wright

• PEER audio paper18.12.2019

  Psycho-sonic cartography

  
  Creating the imaginary city through electronic and electroacoustic music in word and sound.

  By Katt Hernandez
• PEER audio paper18.12.2019

  Invisible sounds in a nested ecological space

  
  A site-specific day-long installation/performance in the Gothenburg harbour.

  By Anders Hultqvist & Stefan Östersjö
• PEER audio paper18.12.2019

  H e (a) r

  
  Of an ecological enactive perspective.

  By Halla Steinunn Stefánsdóttir