
Try competing with history, then
Warsaw Autumn is on its way to becoming a victim of its own success, James Black writes in his essay from the Polish capital.
Warsaw Autumn is on its way to becoming a victim of its own success, James Black writes in his essay from the Polish capital.
Are commercial demands starting to influence contemporary music in the Nordic countries? James Black writes from the UNM Festival in Bergen, Norway.
Maya Shenfeld returns to Israel to investigate the local music scene amid what has been labelled a ‘culture war’.
Shanti Suki Osman visited the festival Hoffnung 3000, which took place in Berlin on 24th-26th August.
Maya Shenfeld reports from this year's documenta 14.
Maya Shenfeld reports from debates and concerts at this years Heroines of Sound, 7th-9th July, Radialsystem V, Berlin.
Review by Maya Shenfeld of MaerzMusik 2017.
Robert Barry reports on this year’s Borealis festival in Bergen, Norway.
Andrew Mellor reviews the Norwegian equivalent to Copenhagen’s Gong Tomorrow, the Only Connect festival in Oslo.
Andrew Mellor anmelder en nordisk aften med Gøteborgs Gageego! ensemble der bl.a. opfører Bent Sørensen og Simon Steen-Andersen