Musik, der vokser
Lasse D. Hansen interviewer komponisten Anna Thorvaldsdottir.
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Lasse D. Hansen interviewer komponisten Anna Thorvaldsdottir.
Andreas Engström anmelder fra årets Donaueschinger Musiktage, hvor spørgsmålet om køn og kønsbalance fyldte meget.
Lyt Dybt har besøg af den svensk-hollandske performancekunstner Olof Olsson til en snak om mikrofonens magt.
Jakob Gustaw Winckler anmelder We like We's seneste album 'Next To The Entire All', udgivet på Sonic Pieces i slutningen af 2017.
Sune Anderberg rapporterer fra November Music, 10.-12. november 2017, Den Bosch
Thorbjørn Tønder Hansen er stoppet som leder af SNYK. Ved overgangen til sit nye job som kunstnerisk leder af Ultima Festival i Norge gør han status over 10 års politisk og praktisk arbejde på tværs af musikmiljøerne herhjemme.
Andreo Michaelo Mielczarek anmelder Olga Szymulas electro-opera 'Lapses', Rytmisk Sal, Musikhuset Aarhus, 26. november 2017
I anledning af, at Komponist Birgitte Alsted har modtaget Carl Nielsen og Anne Marie Carl-Nielsens Legat, har Seismograf talt med hende om hendes musik og karriere, om improvisationen som grundlæggende kompositorisk tilgang til lydenes verden og den digitale teknologis rolle i hendes musik.
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.
This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.
Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.
In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.
This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.
Using sounds of political chanting from Turkey, the paper shows how political orientation changes the inflection of chant, reflecting its societal positioning and purpose.
This audio paper considers how new listenings might lead to a richer, more inclusive sound art, that can embrace and celebrate difference.
Jakob Gustav Winckler anmelder live-installationen ‘Time is Local’ af Jacob Kirkegaard og WeLikeWe, åbningen af udstillingen ‘Awake’ af Mette Rasmussen og opførelsen af europapremieren på Keiji Hainos værk ‘Miracle’. 4/11 G((o))ng Tomorrow Festival.
Lasse D. Hansen rapporterer fra konferencen 'Young People, Composing and Contemporary Music' i London.
Reportage fra Ultima Festival 2017 og interview med afgående festivalleder Lars Petter Hagen.
Interview med Bjarke Svendsen i forbindelse med udnævnelsen af ham som ny daglig leder af SNYK.
Rikke Hansen Og Andreo Michaelo Mielczarek anmelder heldagsoperaen 'Operatic Mass Action', som var sat i scene af AUT til Aarhus 2017.
Lea Wierød Borčak interviewer komponisten Line Tjørnhøj.