Humming posthuman belonging
Circulating sounds as memetic citizenship practices in online music cultures
Oh, to Lose Yourself in Moers
The German Moers Festival is no longer primarily a jazz festival, but a curated laboratory for free improvisation, sound art, compositional music, and political absurdism. At times it feels forced. Most of the time, it is liberating.
Åh, at fare vild i Moers
Den tyske Moers Festival er ikke længere først og fremmest en jazzfestival, men et kurateret laboratorium for fri improvisation, lydkunst, kompositionsmusik og politisk absurdisme. Til tider virker det anstrengt. Oftest er det befriende.
When Music Stopped Explaining Itself
Klang Festival was at its strongest when the works spoke directly to the body rather than to the programme notes. Not everything succeeded, but this year's festival was willing to take risks.
Da musikken holdt op med at forklare sig
Klang Festival viste sig stærkest, når værkerne talte direkte til kroppen og ikke til programteksten. Ikke alt lykkedes, men årets festival turde satse.
While Europe's Jazz Searches for New Languages
At Jazzkaar, international stars are no longer the main attraction. Instead, the festival offers a glimpse of an Estonian scene in the process of shaping its own musical identity.
Mens Europas jazz leder efter nye sprog
På Jazzkaar er de internationale stjerner ikke længere hovedattraktionen. Festivalen viser en estisk scene, der er i færd med at formulere sin egen musikalske identitet.
When the Machine Starts Singing
On »Poetics of a New Estate«, Soli City dissolves the boundary between the acoustic and the digital
Når maskinen begynder at synge
På »Poetics of a New Estate« opløser Soli City grænsen mellem det akustiske og det digitale.
Ekstase uden eufori
Dreijers musik tror på ekstase som blid erfaring. Det er musik, der vil danses til, men som samtidig virker genert ved tanken om fest
Deadly Serious Play at Louisiana
Simon Steen-Andersen’s portrait concert at Louisiana was an overwhelming encounter between grotesque humour, video art, and brutal reality.