From Pain to Paralysis: a Stabat Mater Without Wounds
»ELECTRIO aim to renew 'Stabat Mater' with guitar, electronics and baroque threads, but the result is too neat, too familiar, and far too painless.«
»ELECTRIO aim to renew 'Stabat Mater' with guitar, electronics and baroque threads, but the result is too neat, too familiar, and far too painless.«
It’s a fascinating project, but what about the music? It’s a mixed experience.
Although »From Grimsby to Milan« contains a wealth of fine detail, the journey – from Grimsby in Canada to Milan in Ohio – ultimately feels long and monotonous.
Swedish artist Anna von Hausswolff transformed the organ’s sacred resonances into modern, pulsating stage music.
Veroníque Vaka turns monumental geological forces into beguiling music.
OperaHole nevertheless looks like a strong contender to carry on our tradition of playful underground opera.
»Eager Buyers« is captivating – even for listeners who don’t usually venture into the electronic sphere.
At Betty Nansen Theatre, Louise Alenius and Elisa Kragerup turn Selma Lagerlöf’s tragic tale into a haunting meditation on sound, silence and longing.
On »BODY« IKI turns the voice inside out and lets technology listen beneath the skin – to the point where body, circuit, and circulation become one.
»Soap Horse displayed remarkable control and a firm grasp of both their sonic universe and their audience. Perhaps all that’s left is to prove they dare to loosen their grip.«
Mesayer’s black-clad universe and Thicket’s bursts of improvised energy merged seamlessly into a community one longed to be part of.
Polish-born Szymon Gąsiorek has done it again – created a cornucopia of an album that both overwhelms and delights.